Vol. 4 No. 2 (2022)

This issue has the support of the Sociedad Española de Musicología

Published: 2023-02-07

DOI: https://doi.org/10.14201/pmrt.202242

Full Issue

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Articles

Music, Documentaries and Globalization From World Music to World Cinema

7-21

Nick Poulakis, Christina Stamatatou
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Music and advertising A didactic approach for social change from creative choice

23-39

Pablo Contreras Sequeira, Icíar Nadal-García
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The Music in the Cuban Cartoon

41-56

Rafael Guzmán Barrios
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«Bella Ciao», from Anti-Fascist Symbol to Pop Icon New Meanings through the Series La Casa de Papel

57-68

Irene Matas
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TheMozart-Da Ponte trilogy as historical precedent of the film soundtrack

69-85

David Monrabal
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From Villarino to Don Quixote and from Mayalde to Zaniki: musical and cinematographic itineraries

87-96

Antonio Notario Ruiz
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Master Suñé, a Paradigmatic Case as a Musician and Conductor in the Cinematographic Musical Accompaniment of the Third Decade of the 20th Century in Barcelona

97-113

Jorge Gil Zulueta
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The Time in Beetween: Interlining Music

115-137

Marta Álvarez García
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Accompanying Music Music Diegesis in Dance Films

139-159

Blas Payri
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The Artistic and Sociocultural Consideration of Musical Receptive Paradigms within Contemporary Cinema (1975-2018)

161-184

Ramón Sanjuán Mínguez
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The search of the beautiful in the compilation score of The Great Beauty by Paolo Sorrentino.

185-201

José Sánchez Sanz
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Approach to the research of video game musical instruments. Study and analisys of the Sitar Arpeggio from Kingdom Hearts 2

203-220

Francisco Jiménez Bueno
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Production of electronic music and audiovisual in the metamodernity (re)producción digital, identidades digitales, retrotecnia y technostalgia

221-242

Alberto Jiménez Arévalo
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