1616: Anuario de Literatura Comparada

• Créditos

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• Table of contents

  1-2/3-4

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Presentation

• Introduction to Comparative Literature in China

  7-9

  Shunqing Cao

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Monograph

• Cultural Translation of Chinese Ethnic Minority Literature: The Case of King Gesar

  11-24

  Feng Duan

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• Variation in Translation and the Formation of World Literature

  25-38

  Shunqing Cao, Zhoukun Han

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• Rethinking Daughter of the River in the English-Speaking World

  39-49

  Rong Liu, Tian Yang

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• The Variation Theory and the New Pattern of International Development of Comparative Literature

  51-68

  Yina Cao, Zhijie Ma

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• A Variation Study on the Thematic Evolution of Chinese and Western Ocean Literature from the Perspective of Communication and Variation Theory

  69-83

  Mei Xie, Qi Zhao

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Varia

• Recognizing Marginalization in the Poetry through Drugs: Allen Ginsberg and Lois Pereiro

  259-271

  Sara Villar Aira

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• Lost Eyesight and Narrative Limits in Óptica sanguínea

  241-258

  Alexandra Saavedra Galindo

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• Fascination for an Unfathomable Abyss. Josep Palau i Fabre’s Translation of the Letters of a Portuguese Nun

  221-239

  Sergi Álvarez Riosalido

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• The Dignity of the Modest: Albert Camus and José Saramago

  195-220

  Francisco Vivar

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• «I Wanted to Be Old»: Gender and Aging in Daphne Du Maurier’s Rebecca and Susan Hill’s Mrs de Winter

  87-105

  Marta Miquel-Baldellou

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• Of Majors and Minors: Reflections on Kuwaiti Literature in English

  107-120

  Alaaeldin Mahmoud

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• Tradition and Change in England and Spain: White Slavery and the New Woman

  121-142

  Alejandra Karina Carballo

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• National Catholicism and Censorship as Conditioning Factors of the Cinematographic Adaptation of Literary works in Spain in the 1940s: Rafael Gil’s La fe (1947)

  143-166

  Fernando Sanz Ferreruela

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• From Obabakoak to Obaba: Kaleidoscopic Adaptation

  167-194

  Irene Pin

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Informe

• East/West Studies, Schematism, and Cultural Relativism: Some Reservations about Earl Miner’s Comparative Poetics

  275-318

  César Domínguez

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Review

• PAREDES, Alberto. Las voces del relato. Madrid: Cátedra, 2015, 174 pp.

  321-325

  Dante Ortiz López

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• GUTIÉRREZ TRÁPAGA, Daniel. Rewritings, Sequels, and Cycles in Sixteenth-Century Castilian Romances of Chivalry. Woodbridge: Tamesis, 2017, 189 pp.

  326-328

  Rocío G. Sumillera

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• MARCOS RAMOS, María (ed.). Cine desde las dos orillas. Directores españoles y brasileños. Santiago de Compostela: Andavira Editora, 2018, 253 pp.

  329-333

  José Seoane Riveira

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• GIL GONZÁLEZ, Antonio y Pedro Javier PARDO (eds.). Adaptación 2.0. Estudios comparados sobre intermedialidad. Binges: Éditions Orbis Tertius, 2018, 299 pp.

  334-337

  María Fernández Rodríguez

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• KLUGE, Sofie. Honest Entertainment, Transcendental Jest. Six Essays on «Don Quixote» and Novelistic Theory. Trad. Gaye Kynoch. Kassel: Reichenberger, 2017.

  338-345

  Pedro Javier Pardo García

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Authors Biographical Sketch

• Autores

  349-354

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