Recognizing Marginalization in the Poetry through Drugs: Allen Ginsberg and Lois Pereiro
Abstract
The antiquity of drugs makes them contemporary and parallel to artistic manifestations such as literature. The incidence of these substances in literary creation overcomes borders and boundaries, temporal, spatial and linguistic but almost always shares the same characteristic: a marked subversive and marginal character. In this way, from them it is possible to think of similarities in the literary conception of the authors who consume them, and therefore, also in their works. Starting from this idea, this work will have as main objective to analyze the repercussion of these substances in the poetry of Allen Ginsberg and Lois Pereiro in order to test the existence of literary similarities between the two authors.
- Referencias
- Cómo citar
- Del mismo autor
- Métricas
Barandiarán, I. (1967): El Paleomesolítico del Pirineo Occidental. Monografías Arqueológicas, 3. Zaragoza. Binford, L. R. (1963): “Archaeology as Anthropology”, American Antiquity, 28, pp. 217-225.
Bleed, P. (1986): “The optimal design of hunting weapons: maintainability or reliability”, American Antiquity, 51, pp. 737-747.
Conkey, M. (1980): “The identification of prehistoric hunter-gatherer aggregation sites: the case of Altamira”, Current Anthropology, 21, pp. 609-630.
Corchón, M. S. (1986): El Arte Mueble Paleolítico Cantábrico. Monografías, 16. Madrid: Centro de Investigación y Museo de Altamira.
Corchón, M. S. (2017): La Cueva de Las Caldas (Priorio, Oviedo). Salamanca: EUSAL. De las Heras, C.; García Mingo, M. I. and García Munua, J. A. (2003): “El propulsor de la cueva del Castillo”. In 25 Años de Investigaciones sobre el Patrimonio de Cantabria. Santander: CAEAP, pp. 87-90.
De las Heras, C.; Lasheras, J. A.; Rasines, P.; Montes, R.; Fatás, P.; Prada, A. and Muñoz, E. (2012): “Datación et contexte archéologique de la nouvelle omoplate gravée découverte à Altamira”. In Clottes, J. (ed.): L’Art Pléistocène dans le Monde. Tarascon: Société Préhistorique Ariège-Pyrénées, pp. 270-271.
Farrand, W. (2012): “Sedimentology of El Mirón Cave”. In Straus, L. G. and González Morales, M. (eds.): El Mirón Cave, Cantabrian Spain. Albuquerque: Univ. of New Mexico Press, pp. 60-94.
Fontes, L.; Straus, L. G. and González Morales, M. R. (2015): “Lithic and osseous artifacts from the Lower Magdalenian human burial deposit in El Mirón Cave, Cantabria, Spain”, Journal of Archaeological Science, 60, pp. 99-111.
Fontes, L.; Straus, L. G. and González Morales, M. R. (2017): “Lower Magdalenian lithic raw material provisioning: a diachronic view from El Mirón cave”, Journal of Archaeological Science: Reports. http://dx.doi.org/10.1016/j.jasrep.2017.03.015.
Geiling, J. M.; Marín Arroyo, A. B.; Straus, L. G. and González Morales, M. R. (2017): “Deciphering archaeological palimpsests with bone micro-fragments from the Lower Magdalenian of El Mirón cave (Cantabria, Spain)”, Historical Biology, pp. 1-13. http://dx.doi.org/10.1080/08912963.2017.1385611.
González Morales, M. R. and Straus, L. G. (2005): “The Magdalenian sequence of El Mirón Cave (Cantabria, Spain)”. In Dujardin, V. (ed.): Industrie Osseuse et Parures du Solutréen au Magdalénien en Europe. Mémoire, 39. Paris: spf, pp. 209-219.
González Morales, M. R. and Straus, L. G. (2009): “Extraordinary early Magdalenian finds from El Mirón Cave, Cantabria (Spain)”, Antiquity, 83, pp. 267-281.
González Morales, M. R.; Straus, L. G. and Marín, A. B. (2006): “Los omóplatos decorados magdalenienses de la Cueva del Mirón y su relación con las cuevas del Castillo, Altamira y El Juyo”. In Maíllo, J. M. and Baquedano, E. (eds.): Miscelánea en Homenaje a Victoria Cabrera. Zona Arqueológica, 7. Alcalá de Henares, vol. I, pp. 482-494.
Nakazawa, Y.; Straus, L. G.; González Morales, M.; Cuenca, D. and Caro, J. (2009): “On stone-boiling technology in the Upper Paleolithic: behavioral implications from an Early Magdalenian hearth in El Mirón Cave, Cantabria, Spain”, Journal of Archaeological Science, 36, pp. 684-693.
Rivero, O. (2015): Art Mobilier des Chasseurs Magdaléniens à la Façade Atlantique. Liège: ERAUL.
Straus, L. G. (1993): “Upper Palaeolithic hunting tactics and weapons in Western Europe”. In Peterkin, G. L.; Bricker, H. and Mellars, P. (eds.): Hunting and Animal Exploitation in the Later Palaeolithic and Mesolithic of Eurasia. Archaeological Papers of the American Anthropological Association, 4. Washington, pp. 83-93.
Straus, L. G.; Fontes, L.; Domingo, R. and González Morales, M. R. (2016): “Cores, core-scrapers, and bladelet production during the Lower Magdalenian occupations of El Mirón Cave, Cantabrian Spain”, Lithic Technology, 14, pp. 212-235.
Straus, L. G. and González Morales, M. R. (2012): El Mirón Cave, Cantabrian Spain. Albuquerque: Univ. of New Mexico Press.
Straus, L. G.; González Morales, M. R. and Fontes, L. (2014): “Initial Magdalenian artifact assemblages in El Mirón Cave (Ramales de la Victoria, Spain): a preliminary report”, Zephyrus, LXXIII, pp. 45-65.
Tapia, J.; Álvarez Fernández, E.; Cueto, M.; Portero, R.; Bécares, J. and Jordá Pardo, J. (2017): “Bone industry of the Lower Magdalenian in Cantabrian Spain: the square-section antler points of El Cierro Cave”, Quaternary International. https://doi.org/10.1016/j.quaint.2012.10.029.
Utrilla, P. (1981): El Magdaleniense Inferior and Medio en la Costa Cantábrica. Monografías, 4. Santander: Centro de Investigación y Museo de Altamira.
Bleed, P. (1986): “The optimal design of hunting weapons: maintainability or reliability”, American Antiquity, 51, pp. 737-747.
Conkey, M. (1980): “The identification of prehistoric hunter-gatherer aggregation sites: the case of Altamira”, Current Anthropology, 21, pp. 609-630.
Corchón, M. S. (1986): El Arte Mueble Paleolítico Cantábrico. Monografías, 16. Madrid: Centro de Investigación y Museo de Altamira.
Corchón, M. S. (2017): La Cueva de Las Caldas (Priorio, Oviedo). Salamanca: EUSAL. De las Heras, C.; García Mingo, M. I. and García Munua, J. A. (2003): “El propulsor de la cueva del Castillo”. In 25 Años de Investigaciones sobre el Patrimonio de Cantabria. Santander: CAEAP, pp. 87-90.
De las Heras, C.; Lasheras, J. A.; Rasines, P.; Montes, R.; Fatás, P.; Prada, A. and Muñoz, E. (2012): “Datación et contexte archéologique de la nouvelle omoplate gravée découverte à Altamira”. In Clottes, J. (ed.): L’Art Pléistocène dans le Monde. Tarascon: Société Préhistorique Ariège-Pyrénées, pp. 270-271.
Farrand, W. (2012): “Sedimentology of El Mirón Cave”. In Straus, L. G. and González Morales, M. (eds.): El Mirón Cave, Cantabrian Spain. Albuquerque: Univ. of New Mexico Press, pp. 60-94.
Fontes, L.; Straus, L. G. and González Morales, M. R. (2015): “Lithic and osseous artifacts from the Lower Magdalenian human burial deposit in El Mirón Cave, Cantabria, Spain”, Journal of Archaeological Science, 60, pp. 99-111.
Fontes, L.; Straus, L. G. and González Morales, M. R. (2017): “Lower Magdalenian lithic raw material provisioning: a diachronic view from El Mirón cave”, Journal of Archaeological Science: Reports. http://dx.doi.org/10.1016/j.jasrep.2017.03.015.
Geiling, J. M.; Marín Arroyo, A. B.; Straus, L. G. and González Morales, M. R. (2017): “Deciphering archaeological palimpsests with bone micro-fragments from the Lower Magdalenian of El Mirón cave (Cantabria, Spain)”, Historical Biology, pp. 1-13. http://dx.doi.org/10.1080/08912963.2017.1385611.
González Morales, M. R. and Straus, L. G. (2005): “The Magdalenian sequence of El Mirón Cave (Cantabria, Spain)”. In Dujardin, V. (ed.): Industrie Osseuse et Parures du Solutréen au Magdalénien en Europe. Mémoire, 39. Paris: spf, pp. 209-219.
González Morales, M. R. and Straus, L. G. (2009): “Extraordinary early Magdalenian finds from El Mirón Cave, Cantabria (Spain)”, Antiquity, 83, pp. 267-281.
González Morales, M. R.; Straus, L. G. and Marín, A. B. (2006): “Los omóplatos decorados magdalenienses de la Cueva del Mirón y su relación con las cuevas del Castillo, Altamira y El Juyo”. In Maíllo, J. M. and Baquedano, E. (eds.): Miscelánea en Homenaje a Victoria Cabrera. Zona Arqueológica, 7. Alcalá de Henares, vol. I, pp. 482-494.
Nakazawa, Y.; Straus, L. G.; González Morales, M.; Cuenca, D. and Caro, J. (2009): “On stone-boiling technology in the Upper Paleolithic: behavioral implications from an Early Magdalenian hearth in El Mirón Cave, Cantabria, Spain”, Journal of Archaeological Science, 36, pp. 684-693.
Rivero, O. (2015): Art Mobilier des Chasseurs Magdaléniens à la Façade Atlantique. Liège: ERAUL.
Straus, L. G. (1993): “Upper Palaeolithic hunting tactics and weapons in Western Europe”. In Peterkin, G. L.; Bricker, H. and Mellars, P. (eds.): Hunting and Animal Exploitation in the Later Palaeolithic and Mesolithic of Eurasia. Archaeological Papers of the American Anthropological Association, 4. Washington, pp. 83-93.
Straus, L. G.; Fontes, L.; Domingo, R. and González Morales, M. R. (2016): “Cores, core-scrapers, and bladelet production during the Lower Magdalenian occupations of El Mirón Cave, Cantabrian Spain”, Lithic Technology, 14, pp. 212-235.
Straus, L. G. and González Morales, M. R. (2012): El Mirón Cave, Cantabrian Spain. Albuquerque: Univ. of New Mexico Press.
Straus, L. G.; González Morales, M. R. and Fontes, L. (2014): “Initial Magdalenian artifact assemblages in El Mirón Cave (Ramales de la Victoria, Spain): a preliminary report”, Zephyrus, LXXIII, pp. 45-65.
Tapia, J.; Álvarez Fernández, E.; Cueto, M.; Portero, R.; Bécares, J. and Jordá Pardo, J. (2017): “Bone industry of the Lower Magdalenian in Cantabrian Spain: the square-section antler points of El Cierro Cave”, Quaternary International. https://doi.org/10.1016/j.quaint.2012.10.029.
Utrilla, P. (1981): El Magdaleniense Inferior and Medio en la Costa Cantábrica. Monografías, 4. Santander: Centro de Investigación y Museo de Altamira.
Recognizing Marginalization in the Poetry through Drugs: Allen Ginsberg and Lois Pereiro. (2018). 1616: Anuario de Literatura Comparada, 8, 259-271. https://revistas.usal.es/dos/index.php/1616_Anuario_Literatura_Comp/article/view/20733
Similar Articles
- Cristina Salcedo González, Demeter and the Revision of Classical Myth: Dream Mothers and Everyday Mothers in Contemporary English Poetry , 1616: Anuario de Literatura Comparada: Vol. 12 (2022): Literature of the Return
- Annalisa Mirizio, The Cinema of Poetry: an «Unnecesary Literary Reference»? , 1616: Anuario de Literatura Comparada: Vol. 10 (2020): Cinema and Poetry
- Florian Homann, Autonomous Flamenco Coplas and Whole Poems of Composed Cantes: Two Different Forms of Flamenco Song Texts, between Traditional and New Lyrics , 1616: Anuario de Literatura Comparada: Vol. 11 (2021): Flamenco and Literature in the Contemporary Age: Comparatism between Arts
- Styliani Voutsa, The Anxiety for the Passage of Time and the Old Age: The Writing as a Therapy in the Poetry of Constantinos Cavafis and Jaime Gil de Biedma , 1616: Anuario de Literatura Comparada: Vol. 1 (2011): Xenografías
- Marco Paone, Some issues about (self)translation: Xosé María Díaz Castro, a poet among languages , 1616: Anuario de Literatura Comparada: Vol. 6 (2016): Europa prometida: crisis y redefinición de la identidad literaria y cultural europea
- John Burns, The emergence of the mediated poet: Leopoldo María Panero in Roberto Bolaño’s 2666 = La emergencia del poeta mediatizado: Leopoldo María Panero en 2666 de Roberto Bolaño , 1616: Anuario de Literatura Comparada: Vol. 3 (2013): Worlding Literatures in Portuguese
- Antonio Candeloro, The Cinema of Poetry by Pier Paolo Pasolini: between La ricotta and Il Vangelo secondo Matteo , 1616: Anuario de Literatura Comparada: Vol. 11 (2021): Flamenco and Literature in the Contemporary Age: Comparatism between Arts
- Raúl Costas Pereira, Execution and death in the pictorial-essayistic work of Castelao. Comparative perspective through the works Sempre en Galiza and Estampas da guerra , 1616: Anuario de Literatura Comparada: Vol. 6 (2016): Europa prometida: crisis y redefinición de la identidad literaria y cultural europea
- Arantxa Fuentes Ríos, The Temporality in the Poetry of Juan Ramón Jiménez and Octavio Paz , 1616: Anuario de Literatura Comparada: Vol. 1 (2011): Xenografías
- José Seoane Riveira, Mother! by Darren Aronofsky (2017): A Cinematographic Poem , 1616: Anuario de Literatura Comparada: Vol. 10 (2020): Cinema and Poetry
1-10 of 33
Next
You may also start an advanced similarity search for this article.
+
−