La telepresencia en el teatro de texto

Abstract

This paper presents and analyzes the stage resource of Telepresence in Text Based Theatre and establishes the different categories and possible ways for its use in the production of a show. It also establishes the discursive precursors and principles that should be considered in order to make this particular genre progress. Through various practical examples based on contemporary theatrical experimentations it defines the characteristics a show must have to be classified within the genre. This paper also establishes the need of appropriate analysis and critical models to study the genre that, besides the academic value they will have in themselves, will surely help theatre makers develop their work.