Cuba: A Curated Culture
Abstract In this essay, I explore the conditions of production and circulation of post-Soviet Cuban art and literature. I look into both the internal conditions of production and the acute dependency on foreign cultural consecrating agents, especially from Spain. I content that the degree in which these factors play a material and conceptual role is so defining that a conversation of influence, commercialization and compromise should be replaced by that of Cuba as a curated culture.
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Cuba: A Curated Culture. (2013). 1616: Anuario de Literatura Comparada, 2, 115-144. https://revistas.usal.es/dos/index.php/1616_Anuario_Literatura_Comp/article/view/9483
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