Coco (2017): An informational approach on life after death
Abstract We propose the answer to a question that until today is very questionable, is there life after death? In this document we will give an answer from the perspective of the Sociobiological Informational Theory. For this we need exact moments of the movie Coco (2017), in which this theory can be applied, thanks to the cinema. It should be noted first that in the film there are two aspects of the same side. A life as social information and a life as a conscious-psy- chic system, then the key moment that serves as an example to explain this phenomenon is when the character «Chicharrón» disappears from the world of the dead when no one in the real world remembers. However, when the old «Coco» remembers her deceased father «Hector», he manages to revive informationally. At the same time, we also indicate and congratulate the upright graphic quality in the details that characterize the animation. In short, we are going to say that, indeed, yes, there is life (informationally speaking) after death. And this because when we appear in the world we begin to live as social information, then we are born, and our life as social information grows in increasing complexity.
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Contreras-Pulache H. Neurología Fílmica: el descubrimiento del cine a lo largo de la vida. Lima: Fondo Editorial de la Universidad de Ciencias y Humanidades; 2016.
Contreras-Pulache H, Moya-Salazar J. In Memoriam: Pedro Ortiz Cabanillas (1933-2011). CNPs. 2019; 13(2): 187-8.
Margulis L. Symbiotic Planet: A New Look at Evolution. New York: Basic Books; 1998.
Ortiz P. El Sistema de la Personalidad. 2ed. Lima: Fondo Editorial de la Universidad de Ciencias y Humanidades; 2016.
Ortiz P. Psicobiología Social (Tomo 1). 1 Ed. Lima: Fondo Editorial de la Universidad de Ciencias y Humanidades; 2017.
Rigby G. The God Secret. New York: Eloquent Books; 2009.
Moya-Salazar, J. J., Contreras-Pulache, H., Gomez-Saenz, L., Soriano-Abal, A. S., & Zorrilla, A. (2020). Coco (2017): An informational approach on life after death. Journal of Medicine and Movies, 16(3), 175–183. https://doi.org/10.14201/rmc2020163175183
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