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Vol. 1 No. 2 (2019)
Vol. 1 No. 2 (2019)
Published:
2019-09-15
DOI:
https://doi.org/10.14201/pmrt.201912
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Index
3/4
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Articles
«Musical Comedy 3.0» Disney’s Phineas and Ferb as Animated, Digitalized, and Serialized Multi-generational Entertainment
5-23
Michael Saffle
PDF
Was Mozart a mutant? Didactic proposals on pre-existing music in superhero movies.
25-40
Vicente Galbis López
PDF (Español (España))
Love Actually and the musical sphere as an accomplice to the perpetuation of traditional gender roles
41-55
Beatriz Hernández Polo
PDF (Español (España))
Is the Soundtrack a Global Creative Process of Second Order? First Approach Using a Sequence by the Film Composer Pascal Gaigne.
57-69
Sergio Lasuén
PDF (Español (España))
‘I vitelloni’ as a first stage in the expression of the feeling of nostalgia in the music that Nino Rota composed for the cinema of Federico Fellini
71-84
Ignacio Saavedra Inaraja
PDF (Español (España))
Music of Today for a Cinema of Yesterday. The Project of Composition of Original Soundtracks for Films of Segundo de Chomón (Jerez de la Frontera, 2017)
85-116
Francisco Parralejo Masa
PDF (Español (España))
Jonny Greenwood, the perfect immersion in the cinema of Paul Thomas Anderson
117-131
José Sánchez Sanz
PDF (Español (España))
The construction of identities through the small screen. The Sopranos and Italian popular music.
133-147
Aarón Pérez Borrajo
PDF (Español (España))
‘Òpera en texans’ and ‘This is opera’ at the Service of Music Education. MacGuffins, Hits and Other Songs.
149-164
Juan Carlos Montoya Rubio
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Staff
2
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