La transmisión del pensamiento entre culturas a través de la semiología de la canción popular: el caso de bella ciao, de himno partisano en Italia a melodía del movimiento feminista en España

Abstract

Music, like history, the history of art or literature, is a reflection of a historical epoch, of the feeling of a certain society and whose importance lies not only in its value as a historical source, but in his contribution of the point of view of the me, that is, of the first person narration, from a personal perspective not collected in historical or literary manuals and that, they certainly serve to give us an even more objective view of our past. Following these premises, I will focus on the social phenomenon that currently constitutes the Bella ciao, partisan anthem of the Resistance of the second postwar period in Italy, currently rescued by the feminist movement, which maintained its melody, but he adapted his lyrics without going beyond his special purpose: resistance.