La partitura como «espíritu sedimentado»: en torno a la teoría de la interpretación musical de adorno

Mário VIEIRA DE Carvalho

doi:10.14201/8029

The score as «sedimented spirit»: about Adorno’s Theory of Musical Performance

Mário VIEIRA DE Carvalho

Universidade Nova de Lisboa, Centro de Estudos de Sociologia e Estética Musical mvc[at]mail.telepac.pt

https://doi.org/10.14201/8029

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How to Cite

Carvalho, M. V. D. (2011). The score as «sedimented spirit»: about Adorno’s Theory of Musical Performance. Azafea: Revista De Filosofía, 11, 143–161. https://doi.org/10.14201/8029

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Editorial dates

Submitted:

2011-05-10

Acceptance:

2011-05-10

Published:

2011-05-10

Issue

Vol. 11 (2009): Variations on Th. W. Adorno

Section

Articles

Keywords

Sedimented spirit
theory of musical performance
historicity

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This research didn't have any funding