Azafea: Revista de Filosofía

Make a submission

The score as «sedimented spirit»: about Adorno’s Theory of Musical Performance

  • Mário VIEIRA DE Carvalho
    Universidade Nova de Lisboa, Centro de Estudos de Sociologia e Estética Musical mvc[at]mail.telepac.pt
https://doi.org/10.14201/8029

Abstract

In this article we explore some of the considerations on one of the most relevant concerns in Th. W. Adorno’s philosophy of music: the problem of musical performance.
  • Referencias
  • Cómo citar
  • Del mismo autor
  • Métricas
Carvalho, M. V. D. (2011). The score as «sedimented spirit»: about Adorno’s Theory of Musical Performance. Azafea: Revista De Filosofía, 11, 143–161. https://doi.org/10.14201/8029

Downloads

Download data is not yet available.

Author Biography

Mário VIEIRA DE Carvalho

,
Universidade Nova de Lisboa, Centro de Estudos de Sociologia e Estética Musical
Universidade Nova de Lisboa, Faculdade de Ciências Sociais e Humanas, CESEM. 1069-061 Lisboa (Portugal)
+ −