The X rays. Its two faces in reality and filmic fiction

  • María Cristina Tarres
    Universidad Nacional de Rosario
  • María del Carmen Gayol
    Universidad Nacional de Rosario
  • Alberto Enrique D’ottavio
    Universidad Nacional de Rosario aedottavio[at]hotmail.com

Abstract

This work, focused in the short film Roentgen, intends to scrutinize two faces in the framework of X rays: the worthwhileremembering of its discoverer and its opposite, the deformed face of a fictional characters. These ones, gained by an inexcusable ambition and decided to achieve their goals at any price, regretfully acquire real roots.From both standpoints, this film becomes useful for undergraduates y graduates in medical sciences because itallows to directly and indirectly face each and every one of them to the zenith and the nadir of the human soul.
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1. Carreras Delgado JL. Centenario del descubrimiento de los rayos X en: Anales
de la Real Academia Nacional de Medicina, Tomo CXII, Cuaderno 4, pp. 747?751,
1995.

2. García P, García C. Anna Bertha Roentgen (1833?1919): la mujer detrás del
hombre. Rev. Chil. Radiol.2005; 11 (4): 179?181.

3. Glaser, O. W. C. Roentgen and the Discovery of the Roentgen Rays AJR
1995;165:1033?1040.

4. Roentgen (2009). IMDb. [Internet].
Tarres, M. C., Gayol, M. del C., & D’ottavio, A. E. (2017). The X rays. Its two faces in reality and filmic fiction. Journal of Medicine and Movies, 13(2), 47–52. Retrieved from https://revistas.usal.es/cinco/index.php/medicina_y_cine/article/view/16583

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