Producción de música electrónica y audiovisuales en el metamodernidad: (re)producción digital, identidades digitales, retrotecnia y technostalgia

Alberto Jiménez Arévalo

doi:10.14201/pmrt.30298

Production of electronic music and audiovisual in the metamodernity

(re)producción digital, identidades digitales, retrotecnia y technostalgia

Alberto Jiménez Arévalo

Universidad Complutense de Madrid https://orcid.org/0000-0001-5361-2279 alberto.jimenez.arevalo[at]gmail.com

https://doi.org/10.14201/pmrt.30298

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How to Cite

Jiménez Arévalo, A. (2023). Production of electronic music and audiovisual in the metamodernity: (re)producción digital, identidades digitales, retrotecnia y technostalgia. Popular Music Research Today: Revista Online De Divulgación Musicológica, 4(2), 221–242. https://doi.org/10.14201/pmrt.30298

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Editorial dates

Submitted:

2022-09-15

Acceptance:

2022-11-06

Published:

2023-02-07

Issue

Vol. 4 No. 2 (2022)

Section

Articles

Keywords

Electronic music
audiovisuals
metamodernity
retrotechnology
technostalgia

Supporting agencies

This research didn't have any funding

License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.