Historicizing the Ahistorical Child of the Portuguese Primary Arts Education Curriculum. The Arts in School as the Governing of the Child’s Soul

  • Catarina S. Martins
    Universidade de Oporto

Abstract

The contribution addresses the writing of the history of education as a history of the present. The history of the present is seen as a style of reason conceived, both, as a methodological and theoretical gesture. It seeks, through a questioning of blind zones in the present, to trace its origins. It is not simply a question of returning to the past in search of truth. On the contrary, what Michel Foucault’s work allows us is to perceive the contingencies, arbitrariness, fragilities and, so often, violence enclosed in a set of presuppositions, ways of saying, seeing and thinking that we do act in the educational field. In a more concrete way, I will focus on the basic arts education curriculum in Portugal, to show how these are constructed not from a relationship with the arts, but through successive historical layers in which representations of the child, of the methods and processes of learning feed on the psychopedagogical languages with the aim of governing who the child should be and also who should not be that child. Thomas Popkewitz refers to these curricular alchemies as the translation process that transforms a given knowledge into a curricular subject, according to grids of rationality coming from psychology. Arts education is not about the arts but is a translation of psychological principles of the child into schooling. With this alchemical process there also come the rules of how children are supposed to learn, which stages of development they are supposed to go through, how knowledge should be divided and provided, and how the arts mirror the child’s inner life. The production of psychopedagogical knowledge about the child would produce images about what the child is and about what it should become.The government of childhood finds its genealogical lines in the process of governing the social body, in which to the power of governing would always correspond a meticulous gesture of knowledge production about those to be governed. Thus, a look at the curricula from this theoretical approach allows us to analyze not only the structure of the school, but also the grammars that put it into operation, and to problematize the ahistorical child of the arts education curriculum as a larger project that has in the government of the child (and simultaneously the teacher, parents, families, society) their purpose. Today, languages acquire different nuances, the categories multiply, but the rationality presented in the arts education curricula remains the same.
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(Traducción de Elena Patricia Hernández Rivero, Universidad de Salamanca)
Martins, C. S. (2022). Historicizing the Ahistorical Child of the Portuguese Primary Arts Education Curriculum. The Arts in School as the Governing of the Child’s Soul. Historia De La Educación, 40(1), 221–241. https://doi.org/10.14201/hedu202140221241

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