«Comedia musical 3.0» Phineas y Ferb de Disney como entretenimiento multigeneracional animado, digitalizado y serializado
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Banfield, S. (2005). Popular Musical Theatre (and Film). In: Cook, M. (ed.) The Cambridge Companion to Twentieth-century Opera, ed. Mervyn Cooke, (pp. 291-305). New York: Cambridge University Press. - https://doi.org/10.1017/CCOL9780521780094.018
Caine, A. (2008). Can Rock Movies Be Musicals? The Case of 'This is Spinal Tap'. In: Geraghty, L. & Jancovich, M. (eds.) The Shifting Definitions of Genre: Essays on Labeling Films, Television Shows and Media, (pp. 124-141). NC and London: McFarland.
Dixon, W. W. (2000). 'Fighting and Violence and Everything, That's Always Cool': Teen Films in the 1990s. In: Dixon, W. W. (ed.) Film Genre 2000: New Critical Essays. Albany: State University of New York Press.
Gamow, G. (1971). One, Two, Three … Infinity. New York: Bantam.
Gillenwater, C. & Alvarez, P. (2013). Music and TV. Philologia: The Virginia Tech Undergraduate Research Journal for the College of Liberal Arts and Human Sciences, 5, 88-89.
Grant, M. N. (2004). The Rise and Fall of the Broadway Musical. Boston: Northeastern University Press.
Griffin, S. (2005). Curiouser and Curiouser: Gay Days at the Disney Theme Parks. In: Budd, M. & Kirsch, M. H. (ed.) Rethinking Disney: Private Control, Public Dimensions, (pp. 125-150) Middletown, CT: Wesleyan University Press.
Harrison, J. (2012). The Television Musical: Glee's New Directions. In: Ames, M. (ed.) Time in Television Narrative: Exploring Temporality in Twenty-first Century Programming. Jackson: University of Mississippi Press. - https://doi.org/10.14325/mississippi/9781617032936.003.0019
Hodkinson, P. (2011). Media, Culture, and Society: An Introduction. Los Angeles and London: Sage.
Huston, A. C. et al. (1992). Big World, Small Screen: The Role of Television in American Society. Lincoln and London: University of Nebraska Press.
Jones, A. (2009). Disney XD Earns Most-Watched Day and Telecast with 'Phineas and Ferb Christmas Vacation. All Headline News (8/12/2009).
Nussbaum, E. (2012). It's Good Enough for Me. The New Yorker 88(1), 110-115.
Prince D. & Martin, N. (2012). The Tween Consumer Marketing Model: Significant Variables and Recommended Research Hypotheses. Academy of Marketing Studies Journal 16(2), 31-46.
Saffle, M. (2017). From Broadway to Phineas and Ferb: The Rise of Music(al Comedy) Videos. In: Arnold, G.; Cookney, D.; Fairclough, K. & Goddard, M. Music/Video: Histories, Aesthetics, Media, (pp. 41-52) London: Bloomsbury. - https://doi.org/10.5040/9781501313943.ch-004
Saffle, M. (2004). Family Values: The Trapp Family Singers in North America, 1938-1956. Canadian University Music Review, 24(2), 62-79. - https://doi.org/10.7202/1014583ar
Seidman, R. (2009). Disney Channel is TV's No. 1 Network in Total Day [sic] Among Tweens 9-14 for the Sixth Time in 7 Weeks. TV by the Numbers (27/05/2009).
Singer, B. (2004). Ever After: The Last Years of Musical Theater and Beyond. New York: Applause.
Stempel, L. (2010). Showtime: A History of the Broadway Theater. New York: W. W. Norton.
Telotte, J. P. (2004). Disney TV. Detroit: Wayne State University Press.
Wasko, J. (2001). Understanding Disney: The Manufacture of Fantasy. Cambridge, UK: Polity.
Caine, A. (2008). Can Rock Movies Be Musicals? The Case of 'This is Spinal Tap'. In: Geraghty, L. & Jancovich, M. (eds.) The Shifting Definitions of Genre: Essays on Labeling Films, Television Shows and Media, (pp. 124-141). NC and London: McFarland.
Dixon, W. W. (2000). 'Fighting and Violence and Everything, That's Always Cool': Teen Films in the 1990s. In: Dixon, W. W. (ed.) Film Genre 2000: New Critical Essays. Albany: State University of New York Press.
Gamow, G. (1971). One, Two, Three … Infinity. New York: Bantam.
Gillenwater, C. & Alvarez, P. (2013). Music and TV. Philologia: The Virginia Tech Undergraduate Research Journal for the College of Liberal Arts and Human Sciences, 5, 88-89.
Grant, M. N. (2004). The Rise and Fall of the Broadway Musical. Boston: Northeastern University Press.
Griffin, S. (2005). Curiouser and Curiouser: Gay Days at the Disney Theme Parks. In: Budd, M. & Kirsch, M. H. (ed.) Rethinking Disney: Private Control, Public Dimensions, (pp. 125-150) Middletown, CT: Wesleyan University Press.
Harrison, J. (2012). The Television Musical: Glee's New Directions. In: Ames, M. (ed.) Time in Television Narrative: Exploring Temporality in Twenty-first Century Programming. Jackson: University of Mississippi Press. - https://doi.org/10.14325/mississippi/9781617032936.003.0019
Hodkinson, P. (2011). Media, Culture, and Society: An Introduction. Los Angeles and London: Sage.
Huston, A. C. et al. (1992). Big World, Small Screen: The Role of Television in American Society. Lincoln and London: University of Nebraska Press.
Jones, A. (2009). Disney XD Earns Most-Watched Day and Telecast with 'Phineas and Ferb Christmas Vacation. All Headline News (8/12/2009).
Nussbaum, E. (2012). It's Good Enough for Me. The New Yorker 88(1), 110-115.
Prince D. & Martin, N. (2012). The Tween Consumer Marketing Model: Significant Variables and Recommended Research Hypotheses. Academy of Marketing Studies Journal 16(2), 31-46.
Saffle, M. (2017). From Broadway to Phineas and Ferb: The Rise of Music(al Comedy) Videos. In: Arnold, G.; Cookney, D.; Fairclough, K. & Goddard, M. Music/Video: Histories, Aesthetics, Media, (pp. 41-52) London: Bloomsbury. - https://doi.org/10.5040/9781501313943.ch-004
Saffle, M. (2004). Family Values: The Trapp Family Singers in North America, 1938-1956. Canadian University Music Review, 24(2), 62-79. - https://doi.org/10.7202/1014583ar
Seidman, R. (2009). Disney Channel is TV's No. 1 Network in Total Day [sic] Among Tweens 9-14 for the Sixth Time in 7 Weeks. TV by the Numbers (27/05/2009).
Singer, B. (2004). Ever After: The Last Years of Musical Theater and Beyond. New York: Applause.
Stempel, L. (2010). Showtime: A History of the Broadway Theater. New York: W. W. Norton.
Telotte, J. P. (2004). Disney TV. Detroit: Wayne State University Press.
Wasko, J. (2001). Understanding Disney: The Manufacture of Fantasy. Cambridge, UK: Polity.
Saffle, M. (2019). «Comedia musical 3.0» Phineas y Ferb de Disney como entretenimiento multigeneracional animado, digitalizado y serializado. Popular Music Research Today: Revista Online De Divulgación Musicológica, 1(2), 5–23. https://doi.org/10.14201/pmrt.20355
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