«Musical Comedy 3.0» Disney’s Phineas and Ferb as Animated, Digitalized, and Serialized Multi-generational Entertainment
Abstract TV consumption models are constantly changing. However, this change, sometimes, is very similar to what was previously, introducing elements in accordance with the new times. In this sense, Phineas and Ferb can be understood as an updated version of Disney classics, which also includes elements of the musical. All this has generated remarkable audiencies.
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Prince D. & Martin, N. (2012). The Tween Consumer Marketing Model: Significant Variables and Recommended Research Hypotheses. Academy of Marketing Studies Journal 16(2), 31-46.
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Saffle, M. (2004). Family Values: The Trapp Family Singers in North America, 1938-1956. Canadian University Music Review, 24(2), 62-79. - https://doi.org/10.7202/1014583ar
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Stempel, L. (2010). Showtime: A History of the Broadway Theater. New York: W. W. Norton.
Telotte, J. P. (2004). Disney TV. Detroit: Wayne State University Press.
Wasko, J. (2001). Understanding Disney: The Manufacture of Fantasy. Cambridge, UK: Polity.
Caine, A. (2008). Can Rock Movies Be Musicals? The Case of 'This is Spinal Tap'. In: Geraghty, L. & Jancovich, M. (eds.) The Shifting Definitions of Genre: Essays on Labeling Films, Television Shows and Media, (pp. 124-141). NC and London: McFarland.
Dixon, W. W. (2000). 'Fighting and Violence and Everything, That's Always Cool': Teen Films in the 1990s. In: Dixon, W. W. (ed.) Film Genre 2000: New Critical Essays. Albany: State University of New York Press.
Gamow, G. (1971). One, Two, Three … Infinity. New York: Bantam.
Gillenwater, C. & Alvarez, P. (2013). Music and TV. Philologia: The Virginia Tech Undergraduate Research Journal for the College of Liberal Arts and Human Sciences, 5, 88-89.
Grant, M. N. (2004). The Rise and Fall of the Broadway Musical. Boston: Northeastern University Press.
Griffin, S. (2005). Curiouser and Curiouser: Gay Days at the Disney Theme Parks. In: Budd, M. & Kirsch, M. H. (ed.) Rethinking Disney: Private Control, Public Dimensions, (pp. 125-150) Middletown, CT: Wesleyan University Press.
Harrison, J. (2012). The Television Musical: Glee's New Directions. In: Ames, M. (ed.) Time in Television Narrative: Exploring Temporality in Twenty-first Century Programming. Jackson: University of Mississippi Press. - https://doi.org/10.14325/mississippi/9781617032936.003.0019
Hodkinson, P. (2011). Media, Culture, and Society: An Introduction. Los Angeles and London: Sage.
Huston, A. C. et al. (1992). Big World, Small Screen: The Role of Television in American Society. Lincoln and London: University of Nebraska Press.
Jones, A. (2009). Disney XD Earns Most-Watched Day and Telecast with 'Phineas and Ferb Christmas Vacation. All Headline News (8/12/2009).
Nussbaum, E. (2012). It's Good Enough for Me. The New Yorker 88(1), 110-115.
Prince D. & Martin, N. (2012). The Tween Consumer Marketing Model: Significant Variables and Recommended Research Hypotheses. Academy of Marketing Studies Journal 16(2), 31-46.
Saffle, M. (2017). From Broadway to Phineas and Ferb: The Rise of Music(al Comedy) Videos. In: Arnold, G.; Cookney, D.; Fairclough, K. & Goddard, M. Music/Video: Histories, Aesthetics, Media, (pp. 41-52) London: Bloomsbury. - https://doi.org/10.5040/9781501313943.ch-004
Saffle, M. (2004). Family Values: The Trapp Family Singers in North America, 1938-1956. Canadian University Music Review, 24(2), 62-79. - https://doi.org/10.7202/1014583ar
Seidman, R. (2009). Disney Channel is TV's No. 1 Network in Total Day [sic] Among Tweens 9-14 for the Sixth Time in 7 Weeks. TV by the Numbers (27/05/2009).
Singer, B. (2004). Ever After: The Last Years of Musical Theater and Beyond. New York: Applause.
Stempel, L. (2010). Showtime: A History of the Broadway Theater. New York: W. W. Norton.
Telotte, J. P. (2004). Disney TV. Detroit: Wayne State University Press.
Wasko, J. (2001). Understanding Disney: The Manufacture of Fantasy. Cambridge, UK: Polity.
Saffle, M. (2019). «Musical Comedy 3.0» Disney’s Phineas and Ferb as Animated, Digitalized, and Serialized Multi-generational Entertainment. Popular Music Research Today: Revista Online De Divulgación Musicológica, 1(2), 5–23. https://doi.org/10.14201/pmrt.20355
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