The author and his masks: Cervantes y Machado de Assis
Abstract Cervantes and Machado de Assis, as their great novels, El Quixote and Memórias póstumas de Brás Cubas, arose in two crucial historical and aesthetic moments. Their works contributed to a new approach both in the treatment of the author and in the narrative structure. For different reasons, Machado and Cervantes decided to hide behind fictional characters. The masking of the author was due to necessity, considering that from feigned anonymity, as well as from humor, both novelists could describe more freely the societies in which they lived.
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Cervantes, M. de. (2000). Don Quijote de la Mancha. Madrid: Cátedra, Letras Hispánicas.
Fuentes, C. (1998). Machado de La Mancha. Quimera (175), 8-17.
Machado de Assis, J. M. (2008). Memórias póstumas de Brás Cubas. In J. M. Machado de Assis. Obra completa em quatro volumes. Rio de Janeiro: Editora Nova Aguilar.
Redondo, A. (2016). Don Quijote y el libro. Revista de Occidente (427), 68-88.
Riley, E. (1971). Teoría de la novela en Cervantes. Madrid: Taurus.
Ríos, J. (2001). Aventuras póstumas de Machado de Assis. Quimera, Barcelona, 16-20.
Sola, E. (2016). Cervantes libertario. Madrid: Fulminantes.
Fuentes, C. (1998). Machado de La Mancha. Quimera (175), 8-17.
Machado de Assis, J. M. (2008). Memórias póstumas de Brás Cubas. In J. M. Machado de Assis. Obra completa em quatro volumes. Rio de Janeiro: Editora Nova Aguilar.
Redondo, A. (2016). Don Quijote y el libro. Revista de Occidente (427), 68-88.
Riley, E. (1971). Teoría de la novela en Cervantes. Madrid: Taurus.
Ríos, J. (2001). Aventuras póstumas de Machado de Assis. Quimera, Barcelona, 16-20.
Sola, E. (2016). Cervantes libertario. Madrid: Fulminantes.
Maura, A. (2018). The author and his masks: Cervantes y Machado de Assis. Revista De Estudios Brasileños, 5(9), 54–60. https://doi.org/10.14201/reb2018595460
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