1616: Anuario de Literatura Comparada

• Table of Contents

  1-2/3-4

  • PDF (Spanish)
  • PDF

Analytical summary

• Analytical Summary

  5-10/11-15

  • PDF (Spanish)
  • PDF

Presentation

• Transmedia and New Technologies

  19-24

  José Antonio Pérez Bowie, Javier Sánchez Zapatero

  • PDF (Spanish)

Monograph

• Towards a Canon of Electronic Literature?

  22-44

  Virgilio Tortosa

  • PDF (Spanish)

• Augmented Storytelling

  45-74

  Antonio J. Gil González

  • PDF (Spanish)

• Telepresence in Text Based Theatre

  75-84

  Beatriz Cabur

  • PDF (Spanish)

• Fictional Audiovisual Narratives: Cross-Genre Hybridization of the Fandom Phenomenon in the Movie Trailer

  85-105

  Javier Voces Fernández

  • PDF (Spanish)

• Illustration, Rewriting and Transfictionality of «Nikopol Trilogy», by Enki Bilal

  107-133

  Carlos Redondo Sánchez

  • PDF (Spanish)

Varia

• The Future of Hybrid Narratology in «Alice Adventures in Wonderland»

  137-162

  Asunción López Varela

  • PDF (Spanish)

• «Así empieza lo malo» de Javier Marías: rumor y fama, entre William Shakespeare y Geoffrey Chaucer

  163-187

  Antonio Candeloro

  • PDF (Spanish)

• The poet that listened (in) the night: silence and waking up of the language in «Poema del Cante Jondo»

  189-207

  Javier Helgueta Manso

  • PDF (Spanish)

• Looking for a place between non-places: transculturality, liminality and glocalization in Alberto Fuguet’s literature and cinema

  209-229

  Jonatán Martín Gómez

  • PDF (Spanish)

• Analysis of the Spanish Translation of a Haruki Murakami’s tale: «Todos los hijos de Dios bailan» (2013)

  231-252

  Hitomi Toyohara

  • PDF (Spanish)

Notes

• «Horizonte de fragmentos»: Space and Identity in Bariloche of Andrés Neuman

  255-268

  Francisca Sánchez Martínez

  • PDF (Spanish)

• «A voz das mulheres perigosa e burra»: A Study on O remorso de Baltazar Serapião

  269-279

  Ana Rita Gonçalves Soares

  • PDF (Portuguese (Brazil))

• Stereotypes of the Bohemian in Puccini’s «La Bohème»

  281-294

  Antonio Daniel García Orellana

  • PDF (Spanish)

• The Perversion of Violence in the Mexican Revolution Fiction

  295-302

  Gerardo Cruz-Grunerth

  • PDF (Spanish)

• The manifestos of Surrealism in full sunlight surrealist group in Brussels: a response to the need for separation of orthodoxy Parisian

  305-324

  Tamara Andrés Padín

  • PDF (Portuguese (Brazil))

Review

• GONZÁLEZ RAMÍREZ, David (coord. y ed.). Lienzos de la escritura, sinfonías del recuerdo: el magisterio de Ángel Valbuena Prat. Anejos de Analecta Malacitana. Universidad de Malaga, 2012.

  327-330

  Nerea Vieco

  • PDF (Spanish)

• GARCÍA CANDEIRA, Margarita. Estrategia y melancolía. La herencia de la vanguardia en la obra de Luis García Montero. Berna: Peter Lang, 2012.

  330-334

  Antonio Daniel García Orellana

  • PDF (Spanish)

• SÁNCHEZ AMEIJEIRAS, Rocio. Los rostros de las palabras. Imágenes y teoría literaria en el Occidente medieval. Madrid: Akal, 2014.

  335-338

  Laura Pereira Domínguez

  • PDF (Spanish)

• GIL GONZÁLEZ, Antonio (ed.). Las sombras del novelista. AutoRepresentacioneS #3. Binges: Editions Orbis Tertius, 2013.

  338-344

  Gerardo Cruz-Grunerth

  • PDF (Spanish)

• ROGERS, Gayle. Modernism and the New Spain: Britain, Cosmopolitan Europe and Literary History. Oxford: Oxford University Press, 2012.

  344-348

  Xavier Dapena

  • PDF (Spanish)

• CORRAL, Wilfrido H. Bolaño traducido: nueva literatura mundial. Madrid: Ediciones Escalera, 2011.

  348-351

  Lorena Paz López

  • PDF (Spanish)

• SANZ, Marta. No tan incendiario. Caceres: Periferica, 2014.

  351-354

  Javier Sánchez Zapatero

  • PDF (Spanish)

Authors Biographical Sketch

• Authors

Publicity Bidding Docs

• Idea de la literatura y teoría de los géneros literarios / Pedro Aullón de Haro ; edición y prólogo de Ma. Rosario Martí Marco

  363-365

  • PDF (Spanish)

• Cien profesores universitarios en el cine de ayer y de hoy

  367

  • PDF (Spanish)