Lavoura Arcaica: multiple voices in the dialogue between romance and film
Abstract In an intersemiotic perspective, we think about the process of narrative transformation from the literature to the movie, analysing the movie Lavoura Arcaica, directed by Luiz Fernando Carvalho, based on the novel by Raduan Nassar. The novel, narrated in the first person, finds an enunciative filmic complexification. André tells the episodes of his return to the paternal house, describing the atmosphere and the reflection of the character in a complex space-time process. The film rescues, through the feature of the voice off, the literal speech of the character of the novel. However, this discourse becomes a secondary enunciation in the film due to the enunciative heterogeneity of the movie, marked by the presence of the image and the varied narrative resources (diverse sounds, intra and extradiegetic music, etc.).
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Nassar, R. (2001). Lavoura Arcaica. São Paulo: Companhia das Letras.
Gardies, A. (1993). L´espace au cinéma. Paris: Méridiens/Klincksieck.
Gaudreault, A. & Jost, F. (1990). Cinéma et Récit II. Le récit cinématographique. Paris: Nathan.
Genette, G. (1972). Discours du récit. In Figures III. Paris: Seuil.
Kerbrat-Orecchioni, C. (1980). L´énonciation de la subjectivité dans le langage. Paris: coll. “Linguistique”, Armand Colin.
Metz, Ch. (1981). La grande syntagmatique du film narrative. Communications nº 8 (L’analyse structurale du récit). Paris: Seuil.
Metz, Ch. (1991). L´énonciation impersonnelle ou le site du film. Paris: Méridiens-Klincksieck.
Mitriy, J. (2001). Esthétique et psychologie du cinéma. Paris: Cerf.
Nassar, R. (2001). Lavoura Arcaica. São Paulo: Companhia das Letras.
Reyes, J. (2018). Lavoura Arcaica: multiple voices in the dialogue between romance and film. Revista De Estudios Brasileños, 4(7), 22–32. https://doi.org/10.14201/reb2017472232
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