La trilogía Mozart-Da Ponte como antecedente histórico de la banda sonora cinematográfica

David Monrabal

doi:10.14201/pmrt.30297

TheMozart-Da Ponte trilogy as historical precedent of the film soundtrack

David Monrabal

Conservatorio Superior de Castellón d.monrabalgarcia[at]iseacv.gva.es

https://doi.org/10.14201/pmrt.30297

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How to Cite

Monrabal, D. (2023). TheMozart-Da Ponte trilogy as historical precedent of the film soundtrack. Popular Music Research Today: Revista Online De Divulgación Musicológica, 4(2), 69–85. https://doi.org/10.14201/pmrt.30297

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Editorial dates

Submitted:

2022-09-15

Acceptance:

2022-11-05

Published:

2023-02-07

Issue

Vol. 4 No. 2 (2022)

Section

Articles

Keywords

semiotics
Mozart-Da Ponte
opera
cinema
narrative paradigm

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This research didn't have any funding

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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.