“A child isn’t born bitter”: (In)human Relations and Monstrous Affects in Hiromi Goto’s The Kappa Child

Abstract

This article presents an intersectional reading of Hiromi Goto’s The Kappa Child (2001) through the lens of Affect Theory. Particularly, I draw from Sara Ahmed’s The Promise of Happiness and Lauren Berlant’s Cruel Optimism to analyze the role these notions play in the novel. I focus on the economy of affects that circulates among the characters and the affective significance of their interactions as well as the novel’s engagement with Ahmed’s notion of the promise of happiness and Berlant’s cruel optimism, specifically in relation to female, racialized, and migrant subjects both at a personal level and in the context of the settler colonial nation. My main argument is that the affects and expectations presented in the novel are monstrous. I defend that the protagonist’s affective monstrosity is a direct consequence of her abusive childhood as a racialized migrant in the Canadian Prairies and that choosing to let go of her expectations leads to emotional healing and opens new possibilities towards happiness.
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Hernández González, S. (2024). “A child isn’t born bitter”: (In)human Relations and Monstrous Affects in Hiromi Goto’s The Kappa Child. Canada and Beyond: A Journal of Canadian Literary and Cultural Studies, 13, 51–67. https://doi.org/10.14201/candb.v13i51-67

Author Biography

Sheila Hernández González

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Universidad de La Laguna
After having earned a BA in English Studies and a MA in History of Art and Cultural Management, both at the University of La Laguna, Sheila Hernández is currently a PhD candidate and holds a Santander-ULL pre-doctoral contract as researcher and lecturer as part of the English Department at the University of La Laguna. Her research is framed in the Art and Humanities PhD program and her lines of study include Asian Canadian speculative fiction, affect theory, and posthumanism. Her focus is on female and queer authors, and she pays special attention to monstrosity, transformation, and the representation of bodies.
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