Texto, contexto e intertexto en «Paisaje de la multitud que vomita (Anochecer de Coney Island)», de Federico García Lorca

Abstract

This paper proposes a close reading of «Paisaje de la multitud que vomita (Anochecer de Coney Island)», one of the poems in the third section of Poeta en Nueva York, by federico García Lorca. especially those aspects that had been neglected in previous readings are taken into account: both its historical context and thematic and intertextual codes related to the grotesque image of body, some of Hieronymous Bosch’s paintings and the symbolism of vomiting.