«Homeland». A Monologue performed in the theatre of the city of Cadiz (19 March 1812). Edition, introduction and notes
Abstract This play we have edited was performed to celebrate the promulgation of the Constitution on 19 March 1812 at the Teatro Principal in Cadiz. The edition includes a preliminary study that outlines the literary and journalistic productions of the author of the play, Luis de Sosa y Tovar, during his stay in Cadiz in the times of the Cortes. It also remarks on the actress who performed in the play, Agustina Torres, the Teatro Principal’s First Lady during the years of the Constitution period. The edition also includes a genre analysis, the content of the monologue and an analysis of the anthem that was the climax of the performance. Likewise, we have tried to provide explanations of its mythological and symbolic allusions, and shed light on certain verses.
- Referencias
- Cómo citar
- Del mismo autor
- Métricas
«Homeland». A Monologue performed in the theatre of the city of Cadiz (19 March 1812). Edition, introduction and notes. (2013). Cuadernos Dieciochistas, 13, 287-307. https://revistas.usal.es/dos/index.php/1576-7914/article/view/9522
Similar Articles
- Araceli Iravedra, «In favor of happiness»: the legacy of the Enlightenment in the poetry of Luis García Montero , Cuadernos Dieciochistas: Vol. 11 (2010): Jovellanos (1744-1811)
- David T. Gies, FERNÁNDEZ CABEZÓN, Rosalía (ed.): «La Constitución de Cádiz en el teatro español de la época de las Cortes y del Trienio Liberal (1812-1822)». Biblioteca de las Cortes de Cádiz, 11. Cádiz, Fundación Municipal de Cultura del Excmo. Ayuntamiento de Cádiz, 2 , Cuadernos Dieciochistas: Vol. 14 (2013): Literary Culture and Identity in the Hispanic Enlightenment
- Gonzalo Butrón Prida, War, nation and constitution: the influence of the Peninsular War on Europe , Cuadernos Dieciochistas: Vol. 12 (2011): Preconstitutional Spanish Nation
- Juan López Tabar, In favor of a moderate alternative. The pro-french and their relation to the Constitution of 1812 , Cuadernos Dieciochistas: Vol. 12 (2011): Preconstitutional Spanish Nation
- M.ª Isabel Terán Elizondo, Regarding the Modern Virtue of Considering the Common good over one’s own Interests: Dreams and other Literary Devices in «Los paseos de la verdad» by Fernández de Lizardi , Cuadernos Dieciochistas: Vol. 10 (2009): Nicasio Álvarez Cienfuegos (1764-1809)
- Antonio Morales Moya, The Preconstitutional Spanish Nation , Cuadernos Dieciochistas: Vol. 12 (2011): Preconstitutional Spanish Nation
- Eduardo Bello Reguera, ¿Utopía o fracaso de la democracia social en 1793? , Cuadernos Dieciochistas: Vol. 3 (2002): Miscelánea Dieciochista
- Adela Presas, Not just Opera. Generative Interactions in the Madrid Musical Theatre Scene in the Second Half of the 18th Century , Cuadernos Dieciochistas: Vol. 16 (2015): Theater and Music in the 18th Century
- Jaime Blanco Aparicio, The Apotheosis of Hercules by François Lemoyne, its intention and context. A possible interpretation based on French traditional politics , Cuadernos Dieciochistas: Vol. 18 (2017): Juan Meléndez Valdés on the second centenary of his death (1817-2017)
- Luis Perdices Blas, Pablo de Olavide (1725-1803) a través de sus escritos , Cuadernos Dieciochistas: Vol. 4 (2003): Pedro Pablo de Olavide (1725-1803)
1-10 of 597
Next
You may also start an advanced similarity search for this article.
+
−