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Black, R. W. (2005). Access and Affiliation: The Literacy and Composition Practices of English-Language Learners in an Online Fanfiction Community. Journal of Adolescent & Adult Literacy, 49(2), 118–128. doi:10.1598/JAAL.49.2.4
Buckingham, D., y Sefton-Green, J. (2003). Gotta Catch “em all: Structure, Agency and Pedagogy in Chil-dren”s Media Culture. Media, Culture & Society, 25(3), 379–399.
Caffrey, C. (2008). Viewer perception of visual nonverbal cues in subtitled TV Anime 1. European Journal of English Studies, 12(2), 163–178.
Cenite, M., Wanzheng Wang, M., Chong Peiwen, y Shimin Chan, G. (2009). More Than Just Free Con-tent: Motivations of Peer-to-Peer File Sharers. Journal of Communication Inquiry, 33(3), 206–221.
Chandler-Olcott, K., y Mahar, D. (2003). Adolescents’ anime-inspired “fanfictions”: an exploration of Multiliteracies. Journal of adolesce, 46(7), 556–566.
Chung, C. (2013). Holy Fandom, Batman! Commercial Fan Works, Fair Use, and the Economics of Complements and Market Failure. B.U. J. Sci. & Tech. L., (19).
Cooper-Chen, A. (2012). Cartoon planet: the cross-cultural acceptance of Japanese animation. Asian Journal of Communication, 22(1), 44–57.
Daniels, J. M. (2008). Lost in traslation: Anime, moral rights, and market failure. Boston University Law Review, 88(3), 709–744.
De Certeau, M. (1984). The practice of everyday life. Berkeley, Calif. [u.a.]: Univ. of California Press. Dis-ponible en línea: http://danm.ucsc.edu/~dustin/library/de%20certeau,%20the%20practice%20of%20everyday%20life.pdf
De Kosnik, A. (2009). Should Fan Fiction Be Free? Cinema Journal, 48(4), 118–124.
De León Vázquez, S. (2008). Notas para una exploración teórca sobre los estudios de producción de comunicación mediática (periodismo, opinión pública y comunicación política). Comunicación y Sociedad, 9, 145–173.
Del Villar Muñoz, R. (2002). Japoanimación, video- juegos, y vida cotidiana: una perspectiva sociose-miótica. Presented at the V Congreso Internacional de la Federación Latinoamericana de Semióti-ca, Buenos Aires.
Denison, R. (2011). Anime fandom and the liminal spaces between fan creativity and piracy. International Journal of Cultural Studies, 14(5), 449–466.
Eriko, Y. (2010). Accumulating Japanese Popular Culture. Media Consumption Experiences of Malaysian Young Adults. Media Asia, 39(4), 199–208.
Exner, N. (2012). Anime-zing in North Carolina: Library Views of Anime Fans. North Carolina Libraries (Online), 70(1), 28–34.
Galbraith, P. W. (2009). The otaku encyclopedia: an insider’s guide to the subculture of cool Japan. To-kyo ; New York: Kodansha International.
García Núñez, R., y García Huerta, D. (2013). Manifestaciones de la cultura popular del Japón en México: convenciones de cómics, anime y cosplay. Paakat. Revista de tecnología y sociedad, 3(5).
Hatcher, J. S. (2005). Of Otakus and Fansubs: A Critical Look at Anime Online in Light of Current Issues in Copyright Law. Script-ed, 2(4), 544–571.
Hills, M. (2002). Transcultural “Otaku”: Japanese representations of fandom and representations of Japan in anime/manga fan cultures. MIT.
Jenkins, H. (1992). Textual poachers television fans & participatory culture. New York: Routledge. Dis-ponible en línea: http://site.ebrary.com/id/10099789
Jenkins, H. (2006). Fans, bloggers, and gamers: exploring participatory culture. New York: New York University Press.
Jenkins, H. (2008). Convergence culture: la cultura de la convergencia de los medios de comunicación. Barcelona: Paidós.
Kelly, W. W. (2004). Fanning the flames: fans and consumer culture in contemporary Japan. Albany, NY: State University of New York Press.
Koulikov, M. (2010). Fighting the fan sub war: Conflicts between media rights holders and unauthorized creator/distributor networks. Transformative Works & Cultures, 5, 3–3.
Lamerichs, N. (2011). Stranger than fiction: fan identity in cosplay. Transformative Works & Cultures, 7. Disponible en línea http://search.ebscohost.com/login.aspx?direct=true&profile=ehost&scope=site&authtype=crawler&jrnl=19412258&AN=70983280&h=1MeS1Z1pK46l6oxu94GAmk7IeASG97uX1S4CAiEe7OYhCzfA76asakwa9L2DCLGLzVxM68rLiXV40UArqKCr5g%3D%3D&crl=c
Lee, H.-K. (2011). Cultural consumer and copyright: A case study of anime fansubbing. Creative Industries Journal, 3(3), 237–252.
Lee, H.-K. (2012). Cultural consumers as “new cultural intermediaries”: manga scanlators. Arts marketing: an international journal, 2(2), 131–143.
Leong, J. Y. Y. (2011). Selling the Sweatdrop: The Translation of “Japaneseness” in Manga and Anime Fan Fiction. Japanese Language & Literature, 45(2), 621–621.
Levi, A. (2013). The sweet smell of Japan: Anime, manga, and Japan in North America. Journal of Asian Pacific Communication, 23(1), 3–18.
Lu, A. S. (2009). What Race Do They Represent and Does Mine Have Anything to Do with It? Perceived Racial Categories of Anime Characters. Animation, 4(2), 169–190.
Manifold, M. C. (2009). Fanart as craft and the creation of culture. International Journal of Education through Art, 5(1), 7–21. doi:10.1386/eta.5.1.7_1
Martín-Barbero, J. (2001). Deconstrucción de la critica: nuevos itinerarios de la investigación. In Comuni-cación, campo y objeto de estudio. Perspectivas reflexivas latinoamericanas. (pp. 15–42). Guadala-jara: ITESO/ UAA/ UdeColima/ UdeG.
Mcveigh, B. J. (2000). How Hello Kitty Commodifies the Cute, Cool and Camp: “Consumutopia” versus “Control” in Japan. Journal of Material Culture, 5(2), 225–245.
Minowa, Y. (2012). Practicing Qi and consuming Ki: Folk epistemology and consumption rituals in Japan. Marketing Theory, 12(1), 27–44.
Orozco, G. (2012). La investigación de las audiencias “viejas y nuevas.” In Congreso Anual 2010 de la Asociación Mexicana de Investigadores de la Comunicación. México: Universidad Iberoamericana de México.
Padilla de la Torre, M. R., Repoll, J. L., González Hernández, D., García, H., Franco Migues, D., y Oroz-co Gómez, G. (2011). México: la investigación de la recepción y sus audiencias. Hallazgos recien-tes y perspectivas. En N. Jacks (Ed.), Análisis de recepción en América Latina: un recuento histó-rico con perspectiva a futuro (pp. 227–266). Ecuador: CIESPAL.
Pence, H. E. (2011). Teaching with Transmedia. Journal of Educational Technology Systems, 40(2), 131–140.
Rusch, A. (2008). Fasubbing collaboration: how fans of the anime Bleach produce an unconventional community. In 94th National Communication Association (pp. 1–26). San Diego.
Santiago, J. A. (2012). Generación manga. Auge global del imaginario manga-anime y su repercusión en España. Puertas a la lectura, (24), 10–27.
Schules, D. M. (2012, diciembre). Anime fansubs: traslation and media engagement as ludic practice. Uni-versidad de Iowa, Iowa.
Tachikawa, M. (2009). Otacool: World wide otaku rooms 世界のオタク部屋大集合. 立川: 寿屋.
Wang, P.-T. (2010). Affective otaku labor: The circulation and modulation of affect in the anime industry. Universidad de la Ciudad de Nueva York, Nueva York.
Williams, K. L. (2006, May). The Impact of Popular Culture Fandom on Perceptions of Japanese Lan-guage and Culture Learning: The Case of Student Anime Fans. Universidad de Texas, Austin, TX.
Buckingham, D., y Sefton-Green, J. (2003). Gotta Catch “em all: Structure, Agency and Pedagogy in Chil-dren”s Media Culture. Media, Culture & Society, 25(3), 379–399.
Caffrey, C. (2008). Viewer perception of visual nonverbal cues in subtitled TV Anime 1. European Journal of English Studies, 12(2), 163–178.
Cenite, M., Wanzheng Wang, M., Chong Peiwen, y Shimin Chan, G. (2009). More Than Just Free Con-tent: Motivations of Peer-to-Peer File Sharers. Journal of Communication Inquiry, 33(3), 206–221.
Chandler-Olcott, K., y Mahar, D. (2003). Adolescents’ anime-inspired “fanfictions”: an exploration of Multiliteracies. Journal of adolesce, 46(7), 556–566.
Chung, C. (2013). Holy Fandom, Batman! Commercial Fan Works, Fair Use, and the Economics of Complements and Market Failure. B.U. J. Sci. & Tech. L., (19).
Cooper-Chen, A. (2012). Cartoon planet: the cross-cultural acceptance of Japanese animation. Asian Journal of Communication, 22(1), 44–57.
Daniels, J. M. (2008). Lost in traslation: Anime, moral rights, and market failure. Boston University Law Review, 88(3), 709–744.
De Certeau, M. (1984). The practice of everyday life. Berkeley, Calif. [u.a.]: Univ. of California Press. Dis-ponible en línea: http://danm.ucsc.edu/~dustin/library/de%20certeau,%20the%20practice%20of%20everyday%20life.pdf
De Kosnik, A. (2009). Should Fan Fiction Be Free? Cinema Journal, 48(4), 118–124.
De León Vázquez, S. (2008). Notas para una exploración teórca sobre los estudios de producción de comunicación mediática (periodismo, opinión pública y comunicación política). Comunicación y Sociedad, 9, 145–173.
Del Villar Muñoz, R. (2002). Japoanimación, video- juegos, y vida cotidiana: una perspectiva sociose-miótica. Presented at the V Congreso Internacional de la Federación Latinoamericana de Semióti-ca, Buenos Aires.
Denison, R. (2011). Anime fandom and the liminal spaces between fan creativity and piracy. International Journal of Cultural Studies, 14(5), 449–466.
Eriko, Y. (2010). Accumulating Japanese Popular Culture. Media Consumption Experiences of Malaysian Young Adults. Media Asia, 39(4), 199–208.
Exner, N. (2012). Anime-zing in North Carolina: Library Views of Anime Fans. North Carolina Libraries (Online), 70(1), 28–34.
Galbraith, P. W. (2009). The otaku encyclopedia: an insider’s guide to the subculture of cool Japan. To-kyo ; New York: Kodansha International.
García Núñez, R., y García Huerta, D. (2013). Manifestaciones de la cultura popular del Japón en México: convenciones de cómics, anime y cosplay. Paakat. Revista de tecnología y sociedad, 3(5).
Hatcher, J. S. (2005). Of Otakus and Fansubs: A Critical Look at Anime Online in Light of Current Issues in Copyright Law. Script-ed, 2(4), 544–571.
Hills, M. (2002). Transcultural “Otaku”: Japanese representations of fandom and representations of Japan in anime/manga fan cultures. MIT.
Jenkins, H. (1992). Textual poachers television fans & participatory culture. New York: Routledge. Dis-ponible en línea: http://site.ebrary.com/id/10099789
Jenkins, H. (2006). Fans, bloggers, and gamers: exploring participatory culture. New York: New York University Press.
Jenkins, H. (2008). Convergence culture: la cultura de la convergencia de los medios de comunicación. Barcelona: Paidós.
Kelly, W. W. (2004). Fanning the flames: fans and consumer culture in contemporary Japan. Albany, NY: State University of New York Press.
Koulikov, M. (2010). Fighting the fan sub war: Conflicts between media rights holders and unauthorized creator/distributor networks. Transformative Works & Cultures, 5, 3–3.
Lamerichs, N. (2011). Stranger than fiction: fan identity in cosplay. Transformative Works & Cultures, 7. Disponible en línea http://search.ebscohost.com/login.aspx?direct=true&profile=ehost&scope=site&authtype=crawler&jrnl=19412258&AN=70983280&h=1MeS1Z1pK46l6oxu94GAmk7IeASG97uX1S4CAiEe7OYhCzfA76asakwa9L2DCLGLzVxM68rLiXV40UArqKCr5g%3D%3D&crl=c
Lee, H.-K. (2011). Cultural consumer and copyright: A case study of anime fansubbing. Creative Industries Journal, 3(3), 237–252.
Lee, H.-K. (2012). Cultural consumers as “new cultural intermediaries”: manga scanlators. Arts marketing: an international journal, 2(2), 131–143.
Leong, J. Y. Y. (2011). Selling the Sweatdrop: The Translation of “Japaneseness” in Manga and Anime Fan Fiction. Japanese Language & Literature, 45(2), 621–621.
Levi, A. (2013). The sweet smell of Japan: Anime, manga, and Japan in North America. Journal of Asian Pacific Communication, 23(1), 3–18.
Lu, A. S. (2009). What Race Do They Represent and Does Mine Have Anything to Do with It? Perceived Racial Categories of Anime Characters. Animation, 4(2), 169–190.
Manifold, M. C. (2009). Fanart as craft and the creation of culture. International Journal of Education through Art, 5(1), 7–21. doi:10.1386/eta.5.1.7_1
Martín-Barbero, J. (2001). Deconstrucción de la critica: nuevos itinerarios de la investigación. In Comuni-cación, campo y objeto de estudio. Perspectivas reflexivas latinoamericanas. (pp. 15–42). Guadala-jara: ITESO/ UAA/ UdeColima/ UdeG.
Mcveigh, B. J. (2000). How Hello Kitty Commodifies the Cute, Cool and Camp: “Consumutopia” versus “Control” in Japan. Journal of Material Culture, 5(2), 225–245.
Minowa, Y. (2012). Practicing Qi and consuming Ki: Folk epistemology and consumption rituals in Japan. Marketing Theory, 12(1), 27–44.
Orozco, G. (2012). La investigación de las audiencias “viejas y nuevas.” In Congreso Anual 2010 de la Asociación Mexicana de Investigadores de la Comunicación. México: Universidad Iberoamericana de México.
Padilla de la Torre, M. R., Repoll, J. L., González Hernández, D., García, H., Franco Migues, D., y Oroz-co Gómez, G. (2011). México: la investigación de la recepción y sus audiencias. Hallazgos recien-tes y perspectivas. En N. Jacks (Ed.), Análisis de recepción en América Latina: un recuento histó-rico con perspectiva a futuro (pp. 227–266). Ecuador: CIESPAL.
Pence, H. E. (2011). Teaching with Transmedia. Journal of Educational Technology Systems, 40(2), 131–140.
Rusch, A. (2008). Fasubbing collaboration: how fans of the anime Bleach produce an unconventional community. In 94th National Communication Association (pp. 1–26). San Diego.
Santiago, J. A. (2012). Generación manga. Auge global del imaginario manga-anime y su repercusión en España. Puertas a la lectura, (24), 10–27.
Schules, D. M. (2012, diciembre). Anime fansubs: traslation and media engagement as ludic practice. Uni-versidad de Iowa, Iowa.
Tachikawa, M. (2009). Otacool: World wide otaku rooms 世界のオタク部屋大集合. 立川: 寿屋.
Wang, P.-T. (2010). Affective otaku labor: The circulation and modulation of affect in the anime industry. Universidad de la Ciudad de Nueva York, Nueva York.
Williams, K. L. (2006, May). The Impact of Popular Culture Fandom on Perceptions of Japanese Lan-guage and Culture Learning: The Case of Student Anime Fans. Universidad de Texas, Austin, TX.
Índice. (2017). Studia Historica. Historia Medieval, 35(2), 1/2. https://revistas.usal.es/uno/index.php/Studia_H_Historia_Medieval/article/view/17624
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