Interpretative approaches for the Levantine rock art according to the study of Arquero de los Callejones Cerrados shelter (Albarracín, Teruel)
Abstract The study on the rock art shelter of Arquero de los Callejones Cerrados, in the mountain range of Albarracín, is presented. We combined different methods on its documentation, attending to photography, geometric techniques, image digital enhancement and digital tracings. According to the analysis of the naturalistic decorated panels, depicted in red and white colour, it has been documented a wide group of animal species, some of them forming symbolic scenes together with human figures. The main focus of the study was to establish a better knowledge of the rock art on a regional scale. The analysis carried out allows us to point out a close relationship between female motifs and a feasible mating scene between two bovines, which invite to make new theoretical and interpretative evaluations. So it is possible to note a scene with already tamed animals and also to highlight the symbolic value of a fertility scene, with all those chrono-cultural implications it has out of those traditionally used for the so-called Levantine rock art. In this hand, we also set out the necessity to address a general redefinition of the Levantine rock art concept.
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Bourdieu, Pierre (et al.) (2003): Un arte medio: ensayo sobre los usos sociales de la fotografía. Barcelona: Gustavo Gili.
Capitanio, Adam (2012): “The electrical transformation of the public sphere: home video, the family, and the limits of privacy in the digital age”. Directora: Ellen McCallum. Arts and Letters, University of Michigan, Michigan (Estados Unidos).
Cavicchi, Daniel (2007): “Loving Music. Listeners, Entertainments, and the Origins of Music Fandom in Nineteenth-Century America”. En Gray, Jonathan; Sandvoss, Cornel y Harrington, C.Lee (eds.): Fandom: identities and communities in a mediated world. New York: New York University Press.
Frith, Simon (2001): “Hacia una estética de la música popular” en Cruces Villalobos, Francisco (ed.): Las culturas musicales: lecturas de etnomusicología. Madrid: Trotta.
Jenkins, Henry (2007): “Afterword. The Future of Fandom”. En Gray, Jonathan; Sandvoss, Cornel y Harrington, C.Lee (eds.): Fandom: identities and communities in a mediated world. New York: New York University Press.
Jauss, Hans Robert (2000): La historia de la literatura como provocación. Barcelona: Península.
Jenkins, Henry (2006): “Quentin Tarantino's Star Wars”. En Durham, Meenakshi Gigi y Keller, Douglas M. (eds.): Media and cultural studies. Keyworks. Oxford: Blackwell Publishing.
Jenkins, Henry (2001): “'Strangers No More, We Sing': Filking and the Social Construction of the Science Fiction Fan Community”. En Lewis, Lisa A. (ed.): The adoring audience: fan culture and popular media. London: Routledge.
Lipovetsky, Gilles y Serroy, Jean (2009): La pantalla global: cultura mediática y cine en la era hipermoderna. Barcelona: Anagrama.
Mehl, Dominique (2005): “The public on the television screen: towards a public sphere of exhibition”. En Livingstone, Sonia (ed.): Audiences and publics: when cultural engagement matters for the public sphere. Bristol: Intellect.
Moran, James M. (2002): There's no place like home video. Minneapolis: University of Minnesota Press.
Moran, James M. (2010): “Cine doméstico, amateur y de vanguardia: modos de distinción”. En Cuevas, Efrén: La casa abierta: el cine doméstico y sus reciclajes contemporáneos. Madrid: Ocho y medio.
Morin, Edgar (1972): Las stars: servidumbres y mitos. Barcelona: Dopesa.
Renov, Michael (2004): The subject of documentary. Minneapolis: University of Minnesota Press.
Reynolds, Simon (2012): Retromania: Pop culture's addiction to its own past. Londres: Faber and Faber.
Sandvoss, Cornel (2005): Fans: the mirror of consumption. Cambridge: Polity.
Smith, Tom (2008): “Moment by Moment by Moment: Reflections on Jonas Mekas' 365 Day Films”. En Vertigo, volumen 4, número 1, Londres. Disponible en: https://www.closeupfilmcentre.com/vertigo_magazine/volume-4-issue-1-autumn-winter-2008/moment-by-moment-by-moment-reflections-on-jonas-mekas-365-films/ [Fecha de consulta: 10 de septiembre de 2015].
Thornton, Sarah (1997): Club cultures: music, media and subcultural capital. Cambridge: Polity Press.
Interpretative approaches for the Levantine rock art according to the study of Arquero de los Callejones Cerrados shelter (Albarracín, Teruel). (2016). Zephyrvs, 77, 59-78. https://doi.org/10.14201/zephyrus2016775978
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