Pintura mural romana en ámbito doméstico durante el s. I d. C. en el conventus Caesaragustanus

Abstract

We present an analysis of pictorial remains found in domestic environments of conventus Caesaraugustanus, dated in the first century ad. The study, based on a methodology through which we examined the technical and stylistic aspects of the fragments from the domestic sphere of nine sites located in that territory, has allowed us to deepen the understanding of both the representation of III and IV Pompeian styles in the provincial world, and craft workshops that made them. The decorative remains will also bring us out to those patrons who selected certain ornamental motives for their homes. So, we will consider whether it is possible to document, through the Roman wall painting and in the territory concerned, the social mutation occurred in the Iberian Peninsula with the advent of Augustus, taking into account the precedent indigenous substrate and the strong impulse that the accession process to the new culture reached at this time.