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Bauman, S., & Flanders, J. (2004). ODD Customizations. In Proceedings of Extreme markup languages. Montreal, Canada.
Bohl, B., & Viglianti, R. (2012). Supporting the emerging community of MEI: the current landscape of tools for note entry and digital editing. In Alliance of Digital Humanities Organizations (Ed.), Digital Humanities (Vol. 1). Hamburg.
Cantara, L. (2005). The text‐encoding initiative: Part 1. OCLC Systems & Services: International Digital Library Perspectives, 21(1), 36–39. doi:https://doi.org/10.1108/10650750510578136
Crandell, A. (2015). MerMEId: Metadata Editor and Repository for MEI Data by The National Library, Danish Centre for Music Publication. Notes, 71(3), 543–544. doi:https://doi.org/10.1353/not.2015.0037
Geertinger, A. T. (2014). Turning Music Catalogues in To Archives of Musical Scores - or Vice Versa : Music Archives and Catalogues Based on Mei Xml. Fontes Artis Musicae, 61(1), 61–66.
Geertinger, A. T., & Lundberg, S. (2009). MerMEId : Creating Thematic Catalogues Using MEI Metadata. Copenhagen, Denmark: National Library O Denmark and Conpenhangen University Library.
Hankinson, A., Roland, P., & Fujinaga, I. (2011). The Music Encoding Initiative as a Document-Encoding Framework. (pp. 293–298).
Kepper, J., Hankinson, A., Hartwig, M., Pugin, L., Richts, K., Geertinger, A. T., … Weber, T. (2013). Music Encoding Initiative Guidelines Release 2013.
Library of Congress. (2017). Library of Congress Recommended Formats Statement. Retrieved December 7, 2017, from https://goo.gl/Mv9HeX
MEI. (2017). What are the goals of MEI? Retrieved September 23, 2017, from https://goo.gl/tmKT3S
Merchán Sánchez-Jara, J. (2016). Del reconocimiento de la variante a la senda de lectura en el ámbito de la edición crítica digital. Alabe Revista de Investigación Sobre Lectura y Escritura, 7(13), 1–11. doi:https://doi.org/10.15645/Alabe2016.13.3
Merchán Sánchez-Jara, J., Cordón-García, J.-A. A., & Gómez-Díaz, R. (2017). Towards a hypermedia model for digital scholarly edition of musical texts based on MEI (Music Encoding Initiative) standard: Integration of hidden traditions within social editing paradigm. In J. M. Dodero, M. S. Ibarra Sáiz, & I. R. Rube (Eds.), Proceedings of the 5th International Conference on Technological Ecosystems for Enhancing Multiculturality. Cádiz: ACM. doi:https://doi.org/10.1145/3144826.3145446
Pugin, L. (2013). Going Digital: Finding the Right Path for Critical Music Editions (pp. 247–66). Berne: Peter Lang.
Pugin, L., Kepper, J., Roland, P., Hartwig, M., & Hankinson, A. (2012). Separating Presentation and Content in MEI. In Conference of the International Society for Music Information Retrieval (ISMIR 2012) (pp. 505–510). Porto, Portugal.
Sampsel, L. (2009). Music Research: A handbook (1st ed.). Oxford, Uk: Oxford University Press.
Schmidt, D. (2014). Towards an Interoperable Digital Scholarly Edition. Journal of the Text Encoding Initiative, 7(7). doi:https://doi.org/10.4000/jtei.979
The TEI Consortium. (2017). TEI: History. Retrieved September 23, 2017, from https://goo.gl/fKDDJu
Viglianti, R. (2010). Making MEI feel ODD: Employing a literate programming approach for MEI, from https://goo.gl/jXceyz
Viglianti, R. (2015, April). Performing the Digital Edition: Textual Scholarship & the Digital Consumption of Music Scores. Maryland, from https://goo.gl/H2yq9F
Wiering, F. (2017) ‘Digital critical editions of music: A multidimensional model’, in Crawford, T. and Gibson, L. (eds.) Modern Methods for Musicology: Prospects, Proposals and Realities. 1st edn. London: Routledge.
Bohl, B., & Viglianti, R. (2012). Supporting the emerging community of MEI: the current landscape of tools for note entry and digital editing. In Alliance of Digital Humanities Organizations (Ed.), Digital Humanities (Vol. 1). Hamburg.
Cantara, L. (2005). The text‐encoding initiative: Part 1. OCLC Systems & Services: International Digital Library Perspectives, 21(1), 36–39. doi:https://doi.org/10.1108/10650750510578136
Crandell, A. (2015). MerMEId: Metadata Editor and Repository for MEI Data by The National Library, Danish Centre for Music Publication. Notes, 71(3), 543–544. doi:https://doi.org/10.1353/not.2015.0037
Geertinger, A. T. (2014). Turning Music Catalogues in To Archives of Musical Scores - or Vice Versa : Music Archives and Catalogues Based on Mei Xml. Fontes Artis Musicae, 61(1), 61–66.
Geertinger, A. T., & Lundberg, S. (2009). MerMEId : Creating Thematic Catalogues Using MEI Metadata. Copenhagen, Denmark: National Library O Denmark and Conpenhangen University Library.
Hankinson, A., Roland, P., & Fujinaga, I. (2011). The Music Encoding Initiative as a Document-Encoding Framework. (pp. 293–298).
Kepper, J., Hankinson, A., Hartwig, M., Pugin, L., Richts, K., Geertinger, A. T., … Weber, T. (2013). Music Encoding Initiative Guidelines Release 2013.
Library of Congress. (2017). Library of Congress Recommended Formats Statement. Retrieved December 7, 2017, from https://goo.gl/Mv9HeX
MEI. (2017). What are the goals of MEI? Retrieved September 23, 2017, from https://goo.gl/tmKT3S
Merchán Sánchez-Jara, J. (2016). Del reconocimiento de la variante a la senda de lectura en el ámbito de la edición crítica digital. Alabe Revista de Investigación Sobre Lectura y Escritura, 7(13), 1–11. doi:https://doi.org/10.15645/Alabe2016.13.3
Merchán Sánchez-Jara, J., Cordón-García, J.-A. A., & Gómez-Díaz, R. (2017). Towards a hypermedia model for digital scholarly edition of musical texts based on MEI (Music Encoding Initiative) standard: Integration of hidden traditions within social editing paradigm. In J. M. Dodero, M. S. Ibarra Sáiz, & I. R. Rube (Eds.), Proceedings of the 5th International Conference on Technological Ecosystems for Enhancing Multiculturality. Cádiz: ACM. doi:https://doi.org/10.1145/3144826.3145446
Pugin, L. (2013). Going Digital: Finding the Right Path for Critical Music Editions (pp. 247–66). Berne: Peter Lang.
Pugin, L., Kepper, J., Roland, P., Hartwig, M., & Hankinson, A. (2012). Separating Presentation and Content in MEI. In Conference of the International Society for Music Information Retrieval (ISMIR 2012) (pp. 505–510). Porto, Portugal.
Sampsel, L. (2009). Music Research: A handbook (1st ed.). Oxford, Uk: Oxford University Press.
Schmidt, D. (2014). Towards an Interoperable Digital Scholarly Edition. Journal of the Text Encoding Initiative, 7(7). doi:https://doi.org/10.4000/jtei.979
The TEI Consortium. (2017). TEI: History. Retrieved September 23, 2017, from https://goo.gl/fKDDJu
Viglianti, R. (2010). Making MEI feel ODD: Employing a literate programming approach for MEI, from https://goo.gl/jXceyz
Viglianti, R. (2015, April). Performing the Digital Edition: Textual Scholarship & the Digital Consumption of Music Scores. Maryland, from https://goo.gl/H2yq9F
Wiering, F. (2017) ‘Digital critical editions of music: A multidimensional model’, in Crawford, T. and Gibson, L. (eds.) Modern Methods for Musicology: Prospects, Proposals and Realities. 1st edn. London: Routledge.
Créditos. (2020). Historia de la Educación, 38, II. https://revistas.usal.es/tres/index.php/0212-0267/article/view/23170
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