Canada and Beyond: A Journal of Canadian Literary and Cultural Studies

I Learned to Pick My Battles: Girls Dissenting in Oil Country

2024-03-05T09:49:06+01:00

In this paper I explore how girls living in a community economically reliant on the extraction of fossil fuels navigate gender expectations, loyalties, ideologies and moralities within their family structures, their places of employment and their affective communities. I describe how girlhood(s) within resource dependent communities are composed of and configured through the social, political, and economic conditions of extractivism, and the social relations that exist within these material conditions. The meeting of the material conditions of resource extraction and the social relations that exist within these environments, can be understood as “zones of entanglement.” An exploration of girls’ lives within these zones of entanglement, highlights how girls maneuver within the processes of social acceptance, belonging and notions of the “good life” by engaging in various strategies that work to create opportunities, while also reinforce foreclosures. These strategies include moving between speech and silence, learning to pick their battles, taking up space, and engaging in care-work. Through engagement in various strategies girls learn to protect themselves while maintaining opportunities for hope, connection, and transformation in their own lives, and in their interdependent relationships and attachments.

How to End a War: Remnants of Hope and Terror in Danny Ramadan’s The Foghorn Echoes

2024-03-05T09:49:09+01:00

In the novel, The Foghorn Echoes (2022) by Danny Ramadan, readers are introduced to two young men, Hussam and Wassim, who love each other but whose lives are forever changed by a terrible event. Though this event marks the beginning of their end, they are met with several encounters that continue to separate them, as they grapple with what it means to be queer in Syria and what it means to be refugees elsewhere. Both their stories, told back and forth between the two young men, reveal the cruel optimism that is situated in the relationship between the good life and the queer struggle of romantic life. In other words, their desire for a better life as queer refugees becomes cruel when it becomes an obstacle in and of itself. For Hussam, readers witness this devastating blow as he is haunted by the death of his father and then by his separation from Wassim, as he struggles to build a better life in the nation-state of Canada. Wassim, on the other hand, has become a refugee in his own homeland, in this case, Syria during the Civil War, and he comes to view himself as a problematic object. Through both of their lives, it is revealed that the reality of queer Syrian refugees is inseparable from the complicated and oppressive histories that mark them such as the war and their forbidden love, whether they remain in the homeland or seek to build a good life somewhere else.

“A child isn’t born bitter”: (In)human Relations and Monstrous Affects in Hiromi Goto’s The Kappa Child

2024-03-05T09:49:12+01:00

This article presents an intersectional reading of Hiromi Goto’s The Kappa Child (2001) through the lens of Affect Theory. Particularly, I draw from Sara Ahmed’s The Promise of Happiness and Lauren Berlant’s Cruel Optimism to analyze the role these notions play in the novel. I focus on the economy of affects that circulates among the characters and the affective significance of their interactions as well as the novel’s engagement with Ahmed’s notion of the promise of happiness and Berlant’s cruel optimism, specifically in relation to female, racialized, and migrant subjects both at a personal level and in the context of the settler colonial nation. My main argument is that the affects and expectations presented in the novel are monstrous. I defend that the protagonist’s affective monstrosity is a direct consequence of her abusive childhood as a racialized migrant in the Canadian Prairies and that choosing to let go of her expectations leads to emotional healing and opens new possibilities towards happiness.

Refugee Worldbuilding in Broken Times: (Re)Creating Self-Location in South(east) Asian Canadian Narratives

2024-03-05T09:49:19+01:00

This paper is focused on interpreting the way in which twenty-first-century refugee writing in Canada is currently approached critically and theoretically. It proposes new reading strategies that contest the influence of nation-state powers over literary production deployed with an aesthetics of cosmopolitanism. In particular, this article takes up refugee writing by Kim Thúy and Sharon Bala, respectively, in order to show how its search for a “Good Life” leads to the transformation of the characters’ subjectivity. This transformation responds to an epistemological shift which confronts issues of Western complicity in foreign human rights abuses and poses questions about alternative epistemologies to Eurocentric notions of healing and trauma recovery in the aftermath of mass violence.

Killing Joy in Ustopian Gilead: Girlhood and Subversion in The Handmaid’s Tale “Media Franchise”

2024-03-05T09:49:21+01:00

This article explores the representations of girlhood introduced in the recent additions to The Handmaid’s Tale franchise: Bruce Miller’s 2017 Hulu series and Margaret Atwood’s 2019 novel The Testaments. Drawing on affect theory and girlhood studies, I analyze how the girls do not conform to the cultural expectations of ustopian Gilead but manage to challenge and contest them. Heterotopian spaces, where the girls are expected to undergo a process of self-transformation into stable identities, are employed by the nation to direct them towards their prescribed happiness markers. Sara Ahmed’s notion of the feminist killjoy is used as key mode of dissent that arises when the girls encounter the dissonance produced between the objects that are collectively imagined to cause happiness and how they are affected by them. I argue that, through Kathleen Stewart’s notion of ordinary affects and their liminal position as girls, they find radically joyful alternatives that clash with Gilead’s fixed prescriptions. This article analyzes three depictions of girlhood across media in The Handmaid’s Tale franchise, focusing on girlhood as a liminal category that empowers girls to become feminist killjoys to fulfill their own desires.

The Long Way to Emancipation in Margaret Laurence’s A Jest of God

2024-03-05T09:49:24+01:00

Lauren Berlant’s critical stance proves instrumental to carry out the analysis of Margaret Laurence’s A Jest of God, a story dealing with personal insecurities and crises, related to feelings of loss, trauma, suffering or failure. There is no doubt that Rachel, the protagonist and first-person narrator, encompasses all the trappings around the notion of “cruel optimism,” and the novel can be considered as a drama of adjustment, where the fantasies of the “good life” are interweaved with the suffocation of ordinary life. Rachel will have to dismantle the view that by being both a good citizen and a loving daughter she may achieve happiness or, at least, peace of mind. This story of personal struggle and emancipation can be eventually related to the political circumstances in Canada’s long process towards autonomy and independence.

Mundane Joy as Emergent Strategy: Community Storytellers on “Happiness,” “Resilience,” and the “Good Life”

2024-03-05T09:48:57+01:00

This essay traces how community-based activist storytellers make room for emergent strategies in perilous times. It was sparked by the authors’ experience of working between two distinct communities that are both deeply invested in understanding the function of story-and-art-making in troubled and troubling times. For brevity’s sake, we will refer to the first community as the collective of “arts-based community-making” groups with whom we work under the auspices of the Centre for Community-Engaged Narrative Arts in Hamilton, Ontario, Canada. Our second community is the Spain-based RESHAP international group of literary and cultural studies scholars who are studying the theme of “Narrativas de la felicidad y la resiliencia / Narratives of Happiness and Resilience.” In the context of “risk society”—the widespread perception of life on earth as dangerous, vulnerable, and fraught with complex hazards—popular media, governments, and corporations, in addition to school systems, public think tanks, and the self-help industry often urge people to generate what Sara Ahmed has called “happiness scripts,” to keep positive and be resilient. These “scripts” become directive, insofar as stories of happiness, the good life, or resilience become mechanisms of discipline or coercive governance that can elicit what Lauren Berlant has called “cruel optimism.” Our essay teases out the emergent possibilities, the creative potential, that we see arising from community-based story-makers’ navigation of the tension between these (required) stories of the “good life” and the everyday, emergent strategies they invent in the midst of challenging times.

“Hope, but also Danger”: A Conversation with Larissa Lai on not Going Back and the ‘Re’ of Recuperation

2024-03-05T09:49:03+01:00

Larissa Lai is a poet, fiction writer and academic who holds a Canada Research Chair at the University of Calgary, where she directs The Insurgent Architects’ House for Creative Writing. She has authored nine books. Her most recent works are The Tiger Flu, Iron Goddess of Mercy and The Lost Century. She is a recipient of the Jim Duggins Novelist’s Prize, the Lambda Literary Award, and the Otherwise Honor Book. She was recently awarded a Maria Zambrano Fellowship at the University of Huelva in Spain and has been actively engaged in cultural organizing, experimental poetry and speculative fiction communities since the 1980s. Her work often explores themes of identity intertwined with elements of science fiction and the fantastical imagination. This interview took place in Parque García Sanabria on 24^th March 2023 during a visit of Larissa Lai to the University of La Laguna. This interview focuses on the convergence of history, myth and affects, providing a reflection on the circularity of time and the promise of happiness.

Editorial "Writing the ‘Good Life’ in Narratives of Canada"

2024-03-05T09:49:00+01:00