Las extraordinarias representaciones del cuerpo humano: dando sentido a la colección de placas de linterna mágica de George Henry Falkiner Nuttall
Resumen Tomando como punto de partida la colección del catedrático en medicina G.H.F. Nuttall, este artículo in-vestiga las extraordinarias representaciones del cuerpo humano en la historia de la linterna mágica del Occidente europeo y su patrimonio entre 1880 y 1930. Con el objeto de explicar el repertorio de imágenes a primera vista desconocidas de esta colección, los autores colocan el objeto, la técnica y las representa-ciones estéticas en un marco histórico y cultural que se explica en dos niveles. En primer lugar, las autoras aplican un análisis visual cross-media para describir los diferentes modelos desde los cuales son represen-tadas las particularidades del cuerpo humano (cartes de visite, cine de los orígenes) y, en segundo lugar, mues-tran su apariencia desde otros géneros que no utilizan las técnicas de representación de las placas de lin-terna mágica. Después de estas dos comparaciones, las autoras proporcionan una contextualización que servirá para comprender de una forma más matizada los objetos de archivo de la colección de placas de G.H.F. Nuttall y sus estrategias visuales.
- Referencias
- Cómo citar
- Del mismo autor
- Métricas
Bogdan, R. (1988). Freak Show: Presenting Human Oddities for Amusement and Profit, Chicago: University of Chicago Press.
Brooker, J. (2013). The Temple of Minerva: Magic and the Magic Lantern at the Royal Polytechnic Institution, Lon-don 1837 – 1901. London: The Magic Lantern Society
Buddingh, D. (2005). A Peep Into History: the 19th-Century Magic Lantern in the Netherlands. In R. Crangle, M. Heard and I. van Dooren, eds. (pp.116-123). Realms of Light: Uses and Perceptions of the Magic Lantern from the 17th to the 21st Century. London: Magic Lantern Society.
Crangle, R., Heard, M. & van Dooren, I. eds. (2005). Realms of Light: Uses and Perceptions of the Magic Lantern from the 17th to the 21st Century. London: Magic Lantern Society.
Crangle, R. & Vogl-Bienek, L. (2014). Screen Culture and the Social Question, 1880-1914. New Barnet: John Libbey.
Curtis, S. (2015). The Shape of Spectatorship, Art, Science and Early Cinema in Germany. New York: Columbia University Press. https://doi.org/10.7312/columbia/9780231134033.001.0001
Curtis, S. (2016). Between Photography and Film: Early Uses of Medical Cinematography. Remedia. The history of medicine in dialogue with its present. 19 January. https://remedianetwork.net/2016/01/19/medicine-in-transit-between-photography-and-film-early-uses-of-medical-cinematography/
Dellmann, S. & Kessler, F., eds. (forthcoming 2018). A Million Pictures. Magic Lantern Slides in the History of Learning. New Barnet: John Libbey.
Garland-Thomson, R. (1996). Introduction: From Wonder to Error – A Genealogy of Freak Discourse in Modernity. In R. Garland-Thomson, ed. (pp. 1-22). Freakery: Cultural Spectacles of the Extraordinary Body. New York and London: NYU Press.
Garland-Thomson, R. (1997). Extraordinary Bodies: Figuring Physical Disability in American Culture and Litera-ture. New York: Columbia University Press.
Gould, G.M. & Pyle, Walter L. (1896). Anomalies and Curiosities of Medicine. Philadelphia: W.B. Saunders.
Graham-Smith, G. S. & Keilin, D. (1939). Obituary Notices of Fellows of the Royal Society 2(7), 492-499. https://doi.org/10.1098/rsbm.1939.0009
Gunning, Tom. (1990). The Cinema of Attractions. Early Cinema, Its Spectator and the Avant-Garde. In T. Elsaesser and A. Barker, eds. (pp. 56-62). Early Cinema: Space – Frame – Narrative. London: BFI Pub-lishing.
Kember, J. (2007). The Functions of Showmanship in Freak Show and Early Film. Early Popular Visual Culture 5(1), 1-23. https://doi.org/10.1080/17460650701263419 https://doi.org/10.1080/17460650701263419
Kinnier-Wilson, S.A. (1914). The Pathology of Pellagra. Napsbury Asylum, January 29.
McAllister, A. (2014). 'To assist in the Pictorial Tradition of Temperance': The Use of the Magic Lantern in the Band of Hope. In R. Crangle and L. Vogl-Bienek (eds.), Screen Culture and the Social Question, 1880-1914 (pp. 25-134). New Barnet: John Libbey.
Moeschen, S. (2005). Aesthetic Traces in Unlikely Places: Re-visioning the Freak in 19th-Century American Photography. Disability Studies Quarterly 25(4), no page numbers. https://doi.org/10.18061/dsq.v25i4.613
Musser, C. (1984). Towards a History of Screen Practice. Quarterly Review of Film Studies 3(1), 59-69. https://doi.org/10.1080/10509208409361190
Musser, C. (1990). The Travel Genre in 1903-1904. Moving Towards Fictional Narrative. In T. Elsaesser and A. Barker, eds. (pp. 123-132). Early Cinema: Space –Frame – Narrative. London: BFI Publishing.
Newton & Co. (1925). Health, Comprising Medical Science, Hygiene and Social Welfare. (Catalogue): London.
Nuttall, G.H.F. (1922). Parasitology 14 (2), 97-126. https://doi.org/10.1017/S0031182000010040
Nuttall, G.H.F. (1940). Notes on the Preparation of Papers for Publication. Journal of Hygiene and Parasitol-ogy, Cambridge University Press, 1–55.
Peterson, J.L. (2013). Education in the School of Dreams. Travelogues and Early Nonfiction Film. Durhum: Duke University Press. https://doi.org/10.1215/9780822378914
Robinson, D., Herbert, S. & Crangle, R. (2001). The Encyclopedia of the Magic Lantern. London: Magic Lan-tern Society.
Wellcome Collection. Mission Statement. https://wellcomecollection.org/.
Other sources:
Atlantis (1913). Film. 121 minutes. Directed by August Blom, USA.
Freaks (1932). Film. 64 minutes. Directed by Tod Browning, USA.
Human Physiology Popularly Explained: or, the House We Live In. (c. 1888). Lantern slide set. 52 slides. Lon-don: York & Son, England.
Kobelkoff (1900). Film. 1 minute. Unknown director, Austria.
Magic and the Muse (2017). Live Performance. Brooker and company, premiere: Birmingham 28 April 2017.
Magician, The (1898). Film. 2 minutes. Directed by Georges Méliès. France.
Media History Digital Library. Online Resource for Lantern Slide Catalogues. http://mediahistoryproject.org/magiclantern/index.html
Brooker, J. (2013). The Temple of Minerva: Magic and the Magic Lantern at the Royal Polytechnic Institution, Lon-don 1837 – 1901. London: The Magic Lantern Society
Buddingh, D. (2005). A Peep Into History: the 19th-Century Magic Lantern in the Netherlands. In R. Crangle, M. Heard and I. van Dooren, eds. (pp.116-123). Realms of Light: Uses and Perceptions of the Magic Lantern from the 17th to the 21st Century. London: Magic Lantern Society.
Crangle, R., Heard, M. & van Dooren, I. eds. (2005). Realms of Light: Uses and Perceptions of the Magic Lantern from the 17th to the 21st Century. London: Magic Lantern Society.
Crangle, R. & Vogl-Bienek, L. (2014). Screen Culture and the Social Question, 1880-1914. New Barnet: John Libbey.
Curtis, S. (2015). The Shape of Spectatorship, Art, Science and Early Cinema in Germany. New York: Columbia University Press. https://doi.org/10.7312/columbia/9780231134033.001.0001
Curtis, S. (2016). Between Photography and Film: Early Uses of Medical Cinematography. Remedia. The history of medicine in dialogue with its present. 19 January. https://remedianetwork.net/2016/01/19/medicine-in-transit-between-photography-and-film-early-uses-of-medical-cinematography/
Dellmann, S. & Kessler, F., eds. (forthcoming 2018). A Million Pictures. Magic Lantern Slides in the History of Learning. New Barnet: John Libbey.
Garland-Thomson, R. (1996). Introduction: From Wonder to Error – A Genealogy of Freak Discourse in Modernity. In R. Garland-Thomson, ed. (pp. 1-22). Freakery: Cultural Spectacles of the Extraordinary Body. New York and London: NYU Press.
Garland-Thomson, R. (1997). Extraordinary Bodies: Figuring Physical Disability in American Culture and Litera-ture. New York: Columbia University Press.
Gould, G.M. & Pyle, Walter L. (1896). Anomalies and Curiosities of Medicine. Philadelphia: W.B. Saunders.
Graham-Smith, G. S. & Keilin, D. (1939). Obituary Notices of Fellows of the Royal Society 2(7), 492-499. https://doi.org/10.1098/rsbm.1939.0009
Gunning, Tom. (1990). The Cinema of Attractions. Early Cinema, Its Spectator and the Avant-Garde. In T. Elsaesser and A. Barker, eds. (pp. 56-62). Early Cinema: Space – Frame – Narrative. London: BFI Pub-lishing.
Kember, J. (2007). The Functions of Showmanship in Freak Show and Early Film. Early Popular Visual Culture 5(1), 1-23. https://doi.org/10.1080/17460650701263419 https://doi.org/10.1080/17460650701263419
Kinnier-Wilson, S.A. (1914). The Pathology of Pellagra. Napsbury Asylum, January 29.
McAllister, A. (2014). 'To assist in the Pictorial Tradition of Temperance': The Use of the Magic Lantern in the Band of Hope. In R. Crangle and L. Vogl-Bienek (eds.), Screen Culture and the Social Question, 1880-1914 (pp. 25-134). New Barnet: John Libbey.
Moeschen, S. (2005). Aesthetic Traces in Unlikely Places: Re-visioning the Freak in 19th-Century American Photography. Disability Studies Quarterly 25(4), no page numbers. https://doi.org/10.18061/dsq.v25i4.613
Musser, C. (1984). Towards a History of Screen Practice. Quarterly Review of Film Studies 3(1), 59-69. https://doi.org/10.1080/10509208409361190
Musser, C. (1990). The Travel Genre in 1903-1904. Moving Towards Fictional Narrative. In T. Elsaesser and A. Barker, eds. (pp. 123-132). Early Cinema: Space –Frame – Narrative. London: BFI Publishing.
Newton & Co. (1925). Health, Comprising Medical Science, Hygiene and Social Welfare. (Catalogue): London.
Nuttall, G.H.F. (1922). Parasitology 14 (2), 97-126. https://doi.org/10.1017/S0031182000010040
Nuttall, G.H.F. (1940). Notes on the Preparation of Papers for Publication. Journal of Hygiene and Parasitol-ogy, Cambridge University Press, 1–55.
Peterson, J.L. (2013). Education in the School of Dreams. Travelogues and Early Nonfiction Film. Durhum: Duke University Press. https://doi.org/10.1215/9780822378914
Robinson, D., Herbert, S. & Crangle, R. (2001). The Encyclopedia of the Magic Lantern. London: Magic Lan-tern Society.
Wellcome Collection. Mission Statement. https://wellcomecollection.org/.
Other sources:
Atlantis (1913). Film. 121 minutes. Directed by August Blom, USA.
Freaks (1932). Film. 64 minutes. Directed by Tod Browning, USA.
Human Physiology Popularly Explained: or, the House We Live In. (c. 1888). Lantern slide set. 52 slides. Lon-don: York & Son, England.
Kobelkoff (1900). Film. 1 minute. Unknown director, Austria.
Magic and the Muse (2017). Live Performance. Brooker and company, premiere: Birmingham 28 April 2017.
Magician, The (1898). Film. 2 minutes. Directed by Georges Méliès. France.
Media History Digital Library. Online Resource for Lantern Slide Catalogues. http://mediahistoryproject.org/magiclantern/index.html
Van Dooren, I., & Dellmann, S. (2018). Las extraordinarias representaciones del cuerpo humano: dando sentido a la colección de placas de linterna mágica de George Henry Falkiner Nuttall. Fonseca, Journal of Communication, (16), 61–79. https://doi.org/10.14201/fjc2018166179
Descargas
Los datos de descargas todavía no están disponibles.
+
−