The Myth Of Pygmalion À La Japonaise: A Study Of Tanizaki Junichirô’s Chijin No Ai Through Intertextuality And Cognitive Psychology
Abstract ABSTRACT: This paper aims to analyze synergic relations among intertextual practices and different cognitive psychology theories applied to literary studies in order to explore a specific case of classical myth Pygmalion’s use: Tanizaki Junichirô’s Chijin no Ai. Starting from George Bernard Shaw’s Pygmalion and through the concepts of transtextuality, intertextuality and interfigurality, among others, as well as cognitive stylistics’ theories such as the metaphor, the schema and the integration theories, we show how the myth’s demythification is executed and a new ideological and literary reading of the myth in the sociocultural context of 1920’s Japan is developed. Finally, we enunciate the changing elements in the film adaptation of Tanizaki’s novel 40 years later in Japan.
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BIBLIOGRAFÍA
CHAMBERS, Anthony H. The Secret Windows. Ideal Worlds in Tanizaki’s Fiction. Cambridge (Massachusetts): The Council on East Asian Studies. Harvard University, 1994.
CULPEPER, Jonathan. «A cognitive stylistics approach to characterization». En semino, Elena y Jonathan culpeper (eds.). Cognitive Stylistics. Language and cognition in text analysis. Amsterdad: John Benjamins, 2002, pp. 251-278.
FREEMAN, Margaret. «The body in the world». En semino, Elena y Jonathan culpeper (eds.). Cognitive Stylistics. Language and cognition in text analysis. Amsterdam: John Benjamins, 2002, pp. 23-48.
HAMILTON, Craig. «Conceptual integration in Christine de Pizan’s City of Ladies». En semino, Elena y Jonathan culpeper (eds.). Cognitive Stylistics. Language and cognition in text analysis. Amsterdam: John Benjamins, 2002, pp. 1-22.
ITO, Ken. Visions of Desire. Tanizaki’s Fictional Worlds. Stanford: Stanford University Press, 1991.
JAMES, Paula. Ovid’s Myth of Pygmalion on Screen. In Pursuit of the Perfect Woman, London: Continuum, 2011. LONG, Marguerita. This Perversion Called Love: Reading Tanizaki, Feminist Theory, and Freud. Stanford: Stanford University Press, 2009.
ORSI, Maria Teresa. «Les Coleurs de l’ombre». Trad. Jean-Baptiste Para. Europe, Revue. Littéraire mensuelle, 2001, 871-872, pp. 67-82.
OVIDIO. Metamorfosis. Trad. Antonio Ramírez de Verguer y Fernando Navarro
Antolín. Madrid: Alianza, 2000 (8 d. C.).
RIFFATERRE, Michel. La Production du texte. Paris: Seuil, 1979.
RUEDA, Ana. Pigmalión y Galatea: Refracciones modernas de un mito. Madrid:
Fundamentos, 1998.
SAMOYAOULT, Tiphaine. L’intertextualité. Paris: Nathan/seJer, 2004.
SEMINO, Elena. «A Cognitive Stylistic Approach to Mind Style in Narrative Fiction». En semino, Elena y Jonathan culpeper (eds.). Cognitive Stylistics. Language and cognition in text analysis. Amsterdam: John Benjamins, 2002, pp. 95-122.
SHIKIBU, Murasaki. La Novela de Genji. Trad. Xavier Roca-Ferrer. Madrid: Destino, 2009 (s. xi).
— La Historia de Genji. Trad. Jordi Fibla. Girona: Atalanta, 2010 (s. xi).
SHAW, George Bernard. Pygmalion. A romance in five acts. London: Penguin, 1988 (1913).
TANIZAKI, Junichirô. Tade kuu mushi (Cada uno tiene su gusto). Tokio: Shinchôsha, 1951 (1929).
— Chijin no ai (Un amor loco). En Shinchô Nihon Bungaku 6. Tokio: Shinchôsha, 1970 (1924).
— «L’œuvre en Débat. Conversations avec Tanizaki». Trad. Yôko Kôri. Europe, Revue Littéraire Mensuelle, 2001, 871-872, pp. 22-36.
TURNER, Mark. Reading Minds. Princeton: Princeton University Press, 1991.
UENO, Chizuko, Taeko TOMIOKA y Chikako OGURA. Otoko Ryû Bungakuron
(Crítica literaria de literatura masculina). Tokio: Chikuma Shobô, 1997.
FILMOGRAFÍA
Chijin no Ai (1967). Director: masumura, Yasuzô. Daiei Studios.
My Fair Lady (1964). Director: cukor, George. Warner Bros.
CHAMBERS, Anthony H. The Secret Windows. Ideal Worlds in Tanizaki’s Fiction. Cambridge (Massachusetts): The Council on East Asian Studies. Harvard University, 1994.
CULPEPER, Jonathan. «A cognitive stylistics approach to characterization». En semino, Elena y Jonathan culpeper (eds.). Cognitive Stylistics. Language and cognition in text analysis. Amsterdad: John Benjamins, 2002, pp. 251-278.
FREEMAN, Margaret. «The body in the world». En semino, Elena y Jonathan culpeper (eds.). Cognitive Stylistics. Language and cognition in text analysis. Amsterdam: John Benjamins, 2002, pp. 23-48.
HAMILTON, Craig. «Conceptual integration in Christine de Pizan’s City of Ladies». En semino, Elena y Jonathan culpeper (eds.). Cognitive Stylistics. Language and cognition in text analysis. Amsterdam: John Benjamins, 2002, pp. 1-22.
ITO, Ken. Visions of Desire. Tanizaki’s Fictional Worlds. Stanford: Stanford University Press, 1991.
JAMES, Paula. Ovid’s Myth of Pygmalion on Screen. In Pursuit of the Perfect Woman, London: Continuum, 2011. LONG, Marguerita. This Perversion Called Love: Reading Tanizaki, Feminist Theory, and Freud. Stanford: Stanford University Press, 2009.
ORSI, Maria Teresa. «Les Coleurs de l’ombre». Trad. Jean-Baptiste Para. Europe, Revue. Littéraire mensuelle, 2001, 871-872, pp. 67-82.
OVIDIO. Metamorfosis. Trad. Antonio Ramírez de Verguer y Fernando Navarro
Antolín. Madrid: Alianza, 2000 (8 d. C.).
RIFFATERRE, Michel. La Production du texte. Paris: Seuil, 1979.
RUEDA, Ana. Pigmalión y Galatea: Refracciones modernas de un mito. Madrid:
Fundamentos, 1998.
SAMOYAOULT, Tiphaine. L’intertextualité. Paris: Nathan/seJer, 2004.
SEMINO, Elena. «A Cognitive Stylistic Approach to Mind Style in Narrative Fiction». En semino, Elena y Jonathan culpeper (eds.). Cognitive Stylistics. Language and cognition in text analysis. Amsterdam: John Benjamins, 2002, pp. 95-122.
SHIKIBU, Murasaki. La Novela de Genji. Trad. Xavier Roca-Ferrer. Madrid: Destino, 2009 (s. xi).
— La Historia de Genji. Trad. Jordi Fibla. Girona: Atalanta, 2010 (s. xi).
SHAW, George Bernard. Pygmalion. A romance in five acts. London: Penguin, 1988 (1913).
TANIZAKI, Junichirô. Tade kuu mushi (Cada uno tiene su gusto). Tokio: Shinchôsha, 1951 (1929).
— Chijin no ai (Un amor loco). En Shinchô Nihon Bungaku 6. Tokio: Shinchôsha, 1970 (1924).
— «L’œuvre en Débat. Conversations avec Tanizaki». Trad. Yôko Kôri. Europe, Revue Littéraire Mensuelle, 2001, 871-872, pp. 22-36.
TURNER, Mark. Reading Minds. Princeton: Princeton University Press, 1991.
UENO, Chizuko, Taeko TOMIOKA y Chikako OGURA. Otoko Ryû Bungakuron
(Crítica literaria de literatura masculina). Tokio: Chikuma Shobô, 1997.
FILMOGRAFÍA
Chijin no Ai (1967). Director: masumura, Yasuzô. Daiei Studios.
My Fair Lady (1964). Director: cukor, George. Warner Bros.
Arrieta Domínguez, D. (2015). The Myth Of Pygmalion À La Japonaise: A Study Of Tanizaki Junichirô’s Chijin No Ai Through Intertextuality And Cognitive Psychology. 1616: Anuario De Literatura Comparada, 3, 153–170. Retrieved from https://revistas.usal.es/dos/index.php/1616_Anuario_Literatura_Comp/article/view/12452
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