Emociones y poética cognitiva: un pasaje a la India de ida y vuelta
Resumen En el siglo xx, la literatura comparada y la poética cognitiva tomaron contacto con la teoría literaria de la India clásica, basada en una clasificación sistemática de los estados de ánimo que se manifiestan como experiencia estética de una emoción (rasa) en el espectador u oyente, actualizados mediante la capacidad de sugerencia (dhvani) del texto. El presente trabajo propone un análisis crítico de algunos acercamientos recientes a la antigua poética sánscrita, tomando en consideración su desarrollo histórico, ya que ofrece distintos modelos para el análisis de las emociones provocadas por una obra literaria y de su relación con el texto y con su disfrute estético similares a algunos postulados de la poética cognitiva. El diálogo intercultural será fructífero si se desarrolla una praxis integradora de la crítica literaria solo desde el conocimiento contextualizado de las respectivas tradiciones culturales.
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Amaladass, Anand. Philosophical Implications of dhvani: Experience of Symbol Language in Indian Aesthetics. Wien: De Nobili-Institut für Indologie, 1984. https://doi.org/10.1163/9789004645981
Bahm, Archie J. Comparative Aesthetics. The Journal of Aesthetics and Art Criticism, 1965, 24/1, pp. 109-119. https://doi.org/10.2307/428253
Bousoño, Carlos. Teoría de la expresión poética. Madrid: Gredos, 1962.
Bronner, Yigal y Whitney Cox. «Sanskrit poetics through Daṇḍin’s looking glass. An alternative history». En Bronner, Yigal (ed.). A Lasting Vision. Daṇḍin’s Mirror in the World of Asian Letters. Oxford: Oxford University Press, 2023, pp. 253-307. https://doi.org/10.1093/oso/9780197642924.003.0006
Calero Vaquera, M.ª Luisa y M.ª Ángeles Hermosilla Álvarez. Lenguaje, literatura y cognición. Córdoba: Universidad de Córdoba, 2013.
Carroll, Noël E. The Philosophy of Horror or Paradoxes of the Heart. London-New York: Routledge, 1990.
Chari, V. Krishna. «The Genre Theory in Sanskrit Poetics». En Hogan, Patrick Colm y Lalita Pandit (eds.). Literary India. Comparative Studies in Aesthetics, Colonialism, and Culture. New York: S.U.N.Y. Press, 1995, pp. 63-79.
Chellappan, Kasi. «Comparative literary theory: an Indian perspective». En Dev, Amiya y Sisir Kumar Das (eds.). Comparative Literature. Theory and Practice. Shimla: Indian Institute of Advanced Studies, 1988, pp. 295-306.
Choudhurī, Indra Nāth. Comparative Indian Literature: Some Perspectives. New Delhi: Sterling, 1992.
De, Sushil Kumar. Sanskrit Poetics as a Study of Aesthetic (with Notes of Edwin Gerow). Bombay: Oxford University Press y Berkeley: University of California Press, 1963. https://doi.org/10.1525/9780520339149
Dev, Amiya y Sisir Kumar Das. Comparative Literature: Theory and Practice. Shimla: Indian Institute for Advanced Study, 1988.
DhĀ, DhK = Ingalls, Masson y Patwardhan (eds.), 1990.
Domínguez, César. «Estudios de Este/Oeste, esquematismo y relativismo cultural: algunas reservas a la poética comparada de Earl Miner». 1616: Anuario de Literatura Comparada, 2018, 8, pp. 275-318.
Edgerton, Franklin. «Indirect suggestion in poetry: A Hindu theory of literary æsthetics». Proceedings of the American Philosophical Society, 1936, 76/5, pp. 687-706.
Ekman, P., W. V. Friesen y P. Ellsworth. «What emotion categories or dimensions can observers judge from facial behavior?» En Ekman, P. (ed.). Emotion in the human face. Cambridge: Cambridge University Press, 1982, pp. 39-55. https://doi.org/10.1016/b978-0-08-016643-8.50024-0
Etiemble, René (1963). Comparaison n’est pas raison. La crise de la littérature comparée, Paris: Gallimard.
Flood, Gavin. The Tantric Body. The Secret Tradition of Hindu Religion. New York: I.B. Tauris, 2006. https://doi.org/10.5040/9780755626304
Fokkema, Douwe W. «The Forms and Values of Contemporary Chinese Literature». New Literary History, 1973, 4/3, pp. 591-603. https://doi.org/10.2307/468537
Fokkema, Douwe W. «The European Reception of Japanese and Chinese Literature». 比較文学 (Hikaku. Comparative Literature), 1988, 30, pp. 244-238. https://doi.org/10.20613/hikaku.30.0_244
Fomeshi, Behnam M., Parvin Ghasemi y Alireza Anushiravani. «Comparative poetics today: not global without the Middle East». Socrates, 2015, 3, pp. 30-47. https://www.socratesjournal.com/index.php/SOCRATES/article/view/155
Freeman, Margaret H. «The Body in the Word. A Cognitive Approach to the Shape of a Poetic Text». En Semino, Elena y Jonathan Culpeper (eds.). Cognitive Stylistics: Language and Cognition in Text Analysis. Amsterdam-Philadelphia: John Benjamins, 2002, pp. 31-57.
Freeman, Margaret H. «Minding: feeling, form, and meaning in the creation of poetic iconicity». En Brône, Geert y Jeroen Vandaele (eds.). Cognitive Poetics: Goals, Gains and Gaps. Berlin-Nueva York: Mouton de Gruyter, 2009, pp. 169-196.
Gamoneda, Amelia y Candela Salgado Ivanich (eds.). Paisajes cognitivos de la poesía. Salamanca: Delirio, 2021.
Gavins, Joanna y Gerard Steen. «Contextualising Cognitive Poetics». En Gavins, Joanna y Gerard Steen (eds.) Cognitive Poetics in Practice. London-New York: Routledge, 2003, pp. 1-12. https://doi.org/10.4324/9780203417737
Gerow, Edwin. A history of Indian literature. Vol 5.3: Indian Poetics. Ed Jan Gonda. Wiesbaden: Harrassowitz, 1977.
Gnoli, Rainiero. The aesthetic experience according to Abhinavagupta. Roma: Instituto Italiano per il Medio ed Estremo Oriente, 1956.
Guillén, Claudio. Entre lo uno y lo diverso. Introducción a la literatura comparada (Ayer y hoy). Barcelona: Tusquets, 2005.
Harrison, Chloe y Peter Stockwell. «Cognitive Poetics». En Littlemore, Jeannette y John R. Taylor (eds.). The Bloomsbury Companion to Cognitive Linguistics. London: Bloomsbury, 2014, pp. 218-233.
Higgins, Kathleen M. «An Alchemy of Emotion: Rasa and Aesthetic Breakthroughs». The Journal of Aesthetics and Art Criticism, 2007, 65/1, pp. 43-54. https://doi.org/10.1111/j.1540-594x.2007.00236.x
Hogan, Patrick Colm. «Toward a Cognitive Science of Poetics: Ānandavardhana, Abhinavagupta, and the Theory of Literature», College Literature, 1996, 23.1, pp. 164-179.
Hogan, Patrick Colm. Cognitive Science, Literature, and the Arts. A Guide for Humanists. London-New York: Routledge, 2003a.
Hogan, Patrick Colm. The Mind and its Stories. Narrative Universals and Human Emotion. Cambridge: Cambridge University Press, 2003b. https://doi.org/10.1017/CBO9780511499951
Hogan, Patrick Colm. What literature teaches us about emotion (Studies in Emotion and Social Interaction). Cambridge University Press, 2011. https://doi.org/10.1017/CBO9780511976773
Houben, Jan. «The Sanskrit tradition». En Van Bekkum, Wout et al. (eds.). The emergence of semantics in four linguistic traditions: Hebrew, Sanskrit, Greek, Arabic. Amsterdam-Philadelphia: John Benjamins, 1997, pp. 49-145.
Ingalls, Daniel H. H., Jeffery M. Masson y M. V. Patwardhan (eds.). The Dhvanyāloka of Ānandavardhana with the Locana of Abhinavagupta (Harvard Oriental Series 49). Cambridge (Mass.): Harvard University Press, 1990.
Johnson-Laird, Philip N. y Keith Oatley. «How poetry evokes emotions». Acta Psychologica, 2022, 224, pp. 1-12. https://doi.org/10.1016/j.actpsy.2022.103506
Lienhard, Siegfried. A history of Indian literature. Vol. 3.1: A History of Classical Poetry (Sanskrit, Pāli, Prakrit). Ed. Jan Gonda. Wiesbaden: Harrassowitz, 1984.
Liu, James J. Y. «Toward a synthesis of Chinese and Western theories of literature». Journal of Chinese Philosophy, 1977, 4, pp. 1-24. https://doi.org/10.1111/j.1540-6253.1977.tb00658.x
Maillard, Chantal. Rasa. El placer estético en la tradición india. Palma de Mallorca: Olañeta, 2006.
Martin, Dan. «Devotional, covenantal, and yogic: Three episodes in the religious use of alphabet and letter from a millennium of Great Vehicle Buddhism». En La Porta, S. y D. Shulman (eds.). The poetics of grammar and the metaphysics of sound and sign. Amsterdam: Brill, 2007, pp. 201-229. https://doi.org/10.1163/ej.9789004158108.i-377.61
Matyszkiewicz, Ariadna. «Are great natural objects in Sanskrit mahākāvya sublime? A preliminary study on the Loginian notion of the sublime and the practice of Sanskrit classical poets». The Polish Journal of the Arts and Culture, 2018, New Series 7, pp. 55-76. https://doi.org/10.4467/24506249pj.18.003.9777
Menninghaus, Winfried, Valentin Wagner, Eugen Wassiliwizky, Ines Schindler, Julian Hanich, Thomas Jacobsen y Stefan Koelsch. «What Are Aesthetic Emotions?». Psychological Review, 2019, 126/2, pp. 171-195. http://dx.doi.org/10.1037/rev0000135
Meskin, Aaron y Jonathan M. Weinberg. «Emotions, fiction, and cognitive architecture». British Journal of Aesthetics, 2003, 43/1, pp. 18-34. https://doi.org/10.1093/bjaesthetics/43.1.18
Miner, Earl Roy. The Japanese tradition in British and American literature. Princeton: Princeton University Press, 1958.
Miner, Earl Roy. Comparative Poetics: An intercultural essay on theories of literature. Princeton: Princeton University Press, 1990.
Miner, Earl Roy. «On the Genesis and Development of Literary Systems II: The Case of India». Revue de Littérature Comparée, 1991, 65/2, pp. 143-151.
Mirajkar, Nishikant D. The relevance of Indian literary theory. En Dev, Amiya y Sisir Kumar Das. Comparative Literature Theory and Practice. Simla Indian Institute for Advanced Study, 1988, pp. 236-284.
Mohanty, Sangeeta. «Hamlet: A rasa-dhvani approach». Journal of Comparative Literatures and Aesthetics, 2006, 29/1-2, pp. 17-52.
NŚ = Bharatīya-Nāṭya-Śāstra. Göttingen Register of Electronic Texts in Indian Languages (Gretil), Staats- und Universitäts Bibliothek Göttingen. https://gretil.sub.uni-goettingen.de/gretil/corpustei/transformations/html/sa_bharata-nATyazAstra-1-1618-303335-37.htm
Oatley, Keith. «A taxonomy of the emotions of literary response». Poetics, 1994, 23, pp. 53-74. https://doi.org/10.1016/0304-422X(94)P4296-S
Oatley, Keith. «Writingandreading: the future of cognitive poetics». En Gavins, Joanna y Gerard Steen (eds.). Cognitive Poetics in Practice. London-New York: Routledge, 2003, pp. 161-173. https://doi.org/10.4324/9780203417737
Ortony, Andrew y Terence J. Turner. What’s basic about basic emotions? Psychological Review, 1990, 97/3, pp. 315-331. https://doi.org/10.1037/0033-295x.97.3.315
Pandey, Kanti Chandra. Abhinavagupta. An Historical and Philosophical Study. Varanasi: Chowkhamba Sanskrit Series Office, 1963.
Pandey, Kanti Chandra. «Bird’s-eye view of Indian aesthetics». The Journal of Aesthetics and Art Criticism, 1965, 24/1, pp. 59-73. https://doi.org/10.2307/428248
Pollock, Sheldon. «The social aesthetic and Sanskrit literary theory». Journal of Indian Philosophy, 2001, 29, pp. 197-229. https://doi.org/10.1023/A:1017565123467
Pollock, Sheldon. «From rasa seen to rasa heard». En Guenzi, Caterina y Sylvia d’Intino (eds.). Aux abords de la clairière. Paris: Brepols, 2012, pp. 189-207. https://doi.org/10.1484/m.behe-eb.4.00326
Pollock, Sheldon. A Rasa Reader. Classical Indian Aesthetics. New York: Columbia University Press, 2016. https://doi.org/10.7312/poll17390
Raghavan, Valayamghat. The Number of Rasas. Chennai: The Adyar Library, 1940.
Rayan, Krishna. «“Rasa” and the objective correlative». The British Journal of Aesthetics, 1965, 5/3, pp. 246-260. https://doi.org/10.1093/bjaesthetics/5.3.246
Sharma, Mahesh. «The Eastern and Western aesthetics: Re-routing the rasa theory». European Academic Research, 2014, I/11, pp. 4739-4753.
Stockwell, Peter. Cognitive Poetics. London-New York: Routledge, 2002.
Sundarajan, Louise. «Two flavors of aesthetic tasting: Rasa and savoring, a cross-cultural study with implications for psychology of emotion». Review of General Psychology, 2010, 14, pp. 22-30. http://dx.doi.org/10.1037/a0018122
Tracy, Jessica L. y Daniel Randles, D. «Four models of basic emotions: A review of Ekman and Cordaro, Izard, Levenson, and Panksepp and Watt». Emotion Review, 2011, 3(4), pp. 397-405. https://doi.org/10.1177/1754073911410747
Villanueva, Darío. «Poética comparada». Revista de Filología Francesa, 1995, 8, pp. 191-199.
Amaladass, Anand. Philosophical Implications of dhvani: Experience of Symbol Language in Indian Aesthetics. Wien: De Nobili-Institut für Indologie, 1984. https://doi.org/10.1163/9789004645981
Bahm, Archie J. Comparative Aesthetics. The Journal of Aesthetics and Art Criticism, 1965, 24/1, pp. 109-119. https://doi.org/10.2307/428253
Bousoño, Carlos. Teoría de la expresión poética. Madrid: Gredos, 1962.
Bronner, Yigal y Whitney Cox. «Sanskrit poetics through Daṇḍin’s looking glass. An alternative history». En Bronner, Yigal (ed.). A Lasting Vision. Daṇḍin’s Mirror in the World of Asian Letters. Oxford: Oxford University Press, 2023, pp. 253-307. https://doi.org/10.1093/oso/9780197642924.003.0006
Calero Vaquera, M.ª Luisa y M.ª Ángeles Hermosilla Álvarez. Lenguaje, literatura y cognición. Córdoba: Universidad de Córdoba, 2013.
Carroll, Noël E. The Philosophy of Horror or Paradoxes of the Heart. London-New York: Routledge, 1990.
Chari, V. Krishna. «The Genre Theory in Sanskrit Poetics». En Hogan, Patrick Colm y Lalita Pandit (eds.). Literary India. Comparative Studies in Aesthetics, Colonialism, and Culture. New York: S.U.N.Y. Press, 1995, pp. 63-79.
Chellappan, Kasi. «Comparative literary theory: an Indian perspective». En Dev, Amiya y Sisir Kumar Das (eds.). Comparative Literature. Theory and Practice. Shimla: Indian Institute of Advanced Studies, 1988, pp. 295-306.
Choudhurī, Indra Nāth. Comparative Indian Literature: Some Perspectives. New Delhi: Sterling, 1992.
De, Sushil Kumar. Sanskrit Poetics as a Study of Aesthetic (with Notes of Edwin Gerow). Bombay: Oxford University Press y Berkeley: University of California Press, 1963. https://doi.org/10.1525/9780520339149
Dev, Amiya y Sisir Kumar Das. Comparative Literature: Theory and Practice. Shimla: Indian Institute for Advanced Study, 1988.
DhĀ, DhK = Ingalls, Masson y Patwardhan (eds.), 1990.
Domínguez, César. «Estudios de Este/Oeste, esquematismo y relativismo cultural: algunas reservas a la poética comparada de Earl Miner». 1616: Anuario de Literatura Comparada, 2018, 8, pp. 275-318.
Edgerton, Franklin. «Indirect suggestion in poetry: A Hindu theory of literary æsthetics». Proceedings of the American Philosophical Society, 1936, 76/5, pp. 687-706.
Ekman, P., W. V. Friesen y P. Ellsworth. «What emotion categories or dimensions can observers judge from facial behavior?» En Ekman, P. (ed.). Emotion in the human face. Cambridge: Cambridge University Press, 1982, pp. 39-55. https://doi.org/10.1016/b978-0-08-016643-8.50024-0
Etiemble, René (1963). Comparaison n’est pas raison. La crise de la littérature comparée, Paris: Gallimard.
Flood, Gavin. The Tantric Body. The Secret Tradition of Hindu Religion. New York: I.B. Tauris, 2006. https://doi.org/10.5040/9780755626304
Fokkema, Douwe W. «The Forms and Values of Contemporary Chinese Literature». New Literary History, 1973, 4/3, pp. 591-603. https://doi.org/10.2307/468537
Fokkema, Douwe W. «The European Reception of Japanese and Chinese Literature». 比較文学 (Hikaku. Comparative Literature), 1988, 30, pp. 244-238. https://doi.org/10.20613/hikaku.30.0_244
Fomeshi, Behnam M., Parvin Ghasemi y Alireza Anushiravani. «Comparative poetics today: not global without the Middle East». Socrates, 2015, 3, pp. 30-47. https://www.socratesjournal.com/index.php/SOCRATES/article/view/155
Freeman, Margaret H. «The Body in the Word. A Cognitive Approach to the Shape of a Poetic Text». En Semino, Elena y Jonathan Culpeper (eds.). Cognitive Stylistics: Language and Cognition in Text Analysis. Amsterdam-Philadelphia: John Benjamins, 2002, pp. 31-57.
Freeman, Margaret H. «Minding: feeling, form, and meaning in the creation of poetic iconicity». En Brône, Geert y Jeroen Vandaele (eds.). Cognitive Poetics: Goals, Gains and Gaps. Berlin-Nueva York: Mouton de Gruyter, 2009, pp. 169-196.
Gamoneda, Amelia y Candela Salgado Ivanich (eds.). Paisajes cognitivos de la poesía. Salamanca: Delirio, 2021.
Gavins, Joanna y Gerard Steen. «Contextualising Cognitive Poetics». En Gavins, Joanna y Gerard Steen (eds.) Cognitive Poetics in Practice. London-New York: Routledge, 2003, pp. 1-12. https://doi.org/10.4324/9780203417737
Gerow, Edwin. A history of Indian literature. Vol 5.3: Indian Poetics. Ed Jan Gonda. Wiesbaden: Harrassowitz, 1977.
Gnoli, Rainiero. The aesthetic experience according to Abhinavagupta. Roma: Instituto Italiano per il Medio ed Estremo Oriente, 1956.
Guillén, Claudio. Entre lo uno y lo diverso. Introducción a la literatura comparada (Ayer y hoy). Barcelona: Tusquets, 2005.
Harrison, Chloe y Peter Stockwell. «Cognitive Poetics». En Littlemore, Jeannette y John R. Taylor (eds.). The Bloomsbury Companion to Cognitive Linguistics. London: Bloomsbury, 2014, pp. 218-233.
Higgins, Kathleen M. «An Alchemy of Emotion: Rasa and Aesthetic Breakthroughs». The Journal of Aesthetics and Art Criticism, 2007, 65/1, pp. 43-54. https://doi.org/10.1111/j.1540-594x.2007.00236.x
Hogan, Patrick Colm. «Toward a Cognitive Science of Poetics: Ānandavardhana, Abhinavagupta, and the Theory of Literature», College Literature, 1996, 23.1, pp. 164-179.
Hogan, Patrick Colm. Cognitive Science, Literature, and the Arts. A Guide for Humanists. London-New York: Routledge, 2003a.
Hogan, Patrick Colm. The Mind and its Stories. Narrative Universals and Human Emotion. Cambridge: Cambridge University Press, 2003b. https://doi.org/10.1017/CBO9780511499951
Hogan, Patrick Colm. What literature teaches us about emotion (Studies in Emotion and Social Interaction). Cambridge University Press, 2011. https://doi.org/10.1017/CBO9780511976773
Houben, Jan. «The Sanskrit tradition». En Van Bekkum, Wout et al. (eds.). The emergence of semantics in four linguistic traditions: Hebrew, Sanskrit, Greek, Arabic. Amsterdam-Philadelphia: John Benjamins, 1997, pp. 49-145.
Ingalls, Daniel H. H., Jeffery M. Masson y M. V. Patwardhan (eds.). The Dhvanyāloka of Ānandavardhana with the Locana of Abhinavagupta (Harvard Oriental Series 49). Cambridge (Mass.): Harvard University Press, 1990.
Johnson-Laird, Philip N. y Keith Oatley. «How poetry evokes emotions». Acta Psychologica, 2022, 224, pp. 1-12. https://doi.org/10.1016/j.actpsy.2022.103506
Lienhard, Siegfried. A history of Indian literature. Vol. 3.1: A History of Classical Poetry (Sanskrit, Pāli, Prakrit). Ed. Jan Gonda. Wiesbaden: Harrassowitz, 1984.
Liu, James J. Y. «Toward a synthesis of Chinese and Western theories of literature». Journal of Chinese Philosophy, 1977, 4, pp. 1-24. https://doi.org/10.1111/j.1540-6253.1977.tb00658.x
Maillard, Chantal. Rasa. El placer estético en la tradición india. Palma de Mallorca: Olañeta, 2006.
Martin, Dan. «Devotional, covenantal, and yogic: Three episodes in the religious use of alphabet and letter from a millennium of Great Vehicle Buddhism». En La Porta, S. y D. Shulman (eds.). The poetics of grammar and the metaphysics of sound and sign. Amsterdam: Brill, 2007, pp. 201-229. https://doi.org/10.1163/ej.9789004158108.i-377.61
Matyszkiewicz, Ariadna. «Are great natural objects in Sanskrit mahākāvya sublime? A preliminary study on the Loginian notion of the sublime and the practice of Sanskrit classical poets». The Polish Journal of the Arts and Culture, 2018, New Series 7, pp. 55-76. https://doi.org/10.4467/24506249pj.18.003.9777
Menninghaus, Winfried, Valentin Wagner, Eugen Wassiliwizky, Ines Schindler, Julian Hanich, Thomas Jacobsen y Stefan Koelsch. «What Are Aesthetic Emotions?». Psychological Review, 2019, 126/2, pp. 171-195. http://dx.doi.org/10.1037/rev0000135
Meskin, Aaron y Jonathan M. Weinberg. «Emotions, fiction, and cognitive architecture». British Journal of Aesthetics, 2003, 43/1, pp. 18-34. https://doi.org/10.1093/bjaesthetics/43.1.18
Miner, Earl Roy. The Japanese tradition in British and American literature. Princeton: Princeton University Press, 1958.
Miner, Earl Roy. Comparative Poetics: An intercultural essay on theories of literature. Princeton: Princeton University Press, 1990.
Miner, Earl Roy. «On the Genesis and Development of Literary Systems II: The Case of India». Revue de Littérature Comparée, 1991, 65/2, pp. 143-151.
Mirajkar, Nishikant D. The relevance of Indian literary theory. En Dev, Amiya y Sisir Kumar Das. Comparative Literature Theory and Practice. Simla Indian Institute for Advanced Study, 1988, pp. 236-284.
Mohanty, Sangeeta. «Hamlet: A rasa-dhvani approach». Journal of Comparative Literatures and Aesthetics, 2006, 29/1-2, pp. 17-52.
NŚ = Bharatīya-Nāṭya-Śāstra. Göttingen Register of Electronic Texts in Indian Languages (Gretil), Staats- und Universitäts Bibliothek Göttingen. https://gretil.sub.uni-goettingen.de/gretil/corpustei/transformations/html/sa_bharata-nATyazAstra-1-1618-303335-37.htm
Oatley, Keith. «A taxonomy of the emotions of literary response». Poetics, 1994, 23, pp. 53-74. https://doi.org/10.1016/0304-422X(94)P4296-S
Oatley, Keith. «Writingandreading: the future of cognitive poetics». En Gavins, Joanna y Gerard Steen (eds.). Cognitive Poetics in Practice. London-New York: Routledge, 2003, pp. 161-173. https://doi.org/10.4324/9780203417737
Ortony, Andrew y Terence J. Turner. What’s basic about basic emotions? Psychological Review, 1990, 97/3, pp. 315-331. https://doi.org/10.1037/0033-295x.97.3.315
Pandey, Kanti Chandra. Abhinavagupta. An Historical and Philosophical Study. Varanasi: Chowkhamba Sanskrit Series Office, 1963.
Pandey, Kanti Chandra. «Bird’s-eye view of Indian aesthetics». The Journal of Aesthetics and Art Criticism, 1965, 24/1, pp. 59-73. https://doi.org/10.2307/428248
Pollock, Sheldon. «The social aesthetic and Sanskrit literary theory». Journal of Indian Philosophy, 2001, 29, pp. 197-229. https://doi.org/10.1023/A:1017565123467
Pollock, Sheldon. «From rasa seen to rasa heard». En Guenzi, Caterina y Sylvia d’Intino (eds.). Aux abords de la clairière. Paris: Brepols, 2012, pp. 189-207. https://doi.org/10.1484/m.behe-eb.4.00326
Pollock, Sheldon. A Rasa Reader. Classical Indian Aesthetics. New York: Columbia University Press, 2016. https://doi.org/10.7312/poll17390
Raghavan, Valayamghat. The Number of Rasas. Chennai: The Adyar Library, 1940.
Rayan, Krishna. «“Rasa” and the objective correlative». The British Journal of Aesthetics, 1965, 5/3, pp. 246-260. https://doi.org/10.1093/bjaesthetics/5.3.246
Sharma, Mahesh. «The Eastern and Western aesthetics: Re-routing the rasa theory». European Academic Research, 2014, I/11, pp. 4739-4753.
Stockwell, Peter. Cognitive Poetics. London-New York: Routledge, 2002.
Sundarajan, Louise. «Two flavors of aesthetic tasting: Rasa and savoring, a cross-cultural study with implications for psychology of emotion». Review of General Psychology, 2010, 14, pp. 22-30. http://dx.doi.org/10.1037/a0018122
Tracy, Jessica L. y Daniel Randles, D. «Four models of basic emotions: A review of Ekman and Cordaro, Izard, Levenson, and Panksepp and Watt». Emotion Review, 2011, 3(4), pp. 397-405. https://doi.org/10.1177/1754073911410747
Villanueva, Darío. «Poética comparada». Revista de Filología Francesa, 1995, 8, pp. 191-199.
Rubio Orecilla, F. J. (2024). Emociones y poética cognitiva: un pasaje a la India de ida y vuelta. 1616: Anuario De Literatura Comparada, 14, 259–285. https://doi.org/10.14201/1616202414259282
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