1.
Aertsen V. Perceptual Experience and False Point-of-View Sshots in «L’Eclisse» (Michelangelo Antonioni, 1962) and «Death in Venice» (Luchino Visconti, 1971). FJC [Internet]. 2020 Nov. 26 [cited 2024 May 20];(21):15. Available from: https://revistas.usal.es/cuatro/index.php/2172-9077/article/view/fjc202021237251