AERTSEN, V. Perceptual Experience and False Point-of-View Sshots in «L’Eclisse» (Michelangelo Antonioni, 1962) and «Death in Venice» (Luchino Visconti, 1971). Fonseca, Journal of Communication, [S. l.], n. 21, p. 15, 2020. DOI: 10.14201/fjc202021237251. Disponível em: https://revistas.usal.es/cuatro/index.php/2172-9077/article/view/fjc202021237251. Acesso em: 20 may. 2024.